Summer Sound Sensations The First Class

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  • Editorial Reviews
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Track List
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Summer Sound Sensations

1LISTENBeach Baby 5:10
2LISTENWhat Became of Me 3:10
3LISTENI Was Always the Joker 3:44
4LISTENLong Time Gone 3:37
5LISTENDreams Are Ten a Penny 2:35
6LISTENBobby Dazzler 3:32
7LISTENLavender Man 3:02
8LISTENBoth Sides of the Story 3:29
9LISTENSmiles on a Summer Night 3:18
10LISTENI Was a Star 4:43
11LISTENSunday Child previously unreleased 4:05
12LISTENBaby Blue 2:26
13LISTENLife Is Whatever You Want It to Be 2:31
14LISTENCarry on Singing My Song 3:32
15LISTENAnd She Cried 3:02
16LISTENThe Song Was Wrong previously unreleased 4:04
17LISTENWake Up America previously unreleased 4:15
18LISTENConey Island previously unreleased 3:30
19LISTENI Can't Believe My Eyes previously unreleased 3:36
20LISTENToo Many Golden Oldies previously unreleased 5:25
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About this Artist

Editorial Reviews

For almost anyone who's interested enough in the First Class to own a record by them, this 21-track compilation should be enough. Summer Sound Sensations has songs from both of their albums, as well as some non-LP singles, no less than five cuts from their unreleased third album, and a previously unissued 1985 outtake, "Silver Surfer." The big 1974 hit "Beach Baby" is here, of course, and much of the rest of the material also sounds rather like a middle-of-the-road spin on the Beach Boys, with a bit of bubblegum pop and singer/songwriter fare thrown into the mix. There's also a peculiarly nostalgic cast to many of the songs, sometimes quite self-consciously looking back to better and more innocent times. Those who love the Beach Boys and California sunshine pop might appreciate the tribute-like emulation of that style, but the '70s slickness of the production and cutesiness of some of the lyrics can get icky. Who else but the First Class, for instance, could look back (as they do on "I Was a Star") on having sand kicked in their face with smiley face cheer, gamely grinning that singing along with records made such indignities bearable? Occasionally they opted for arty ambition, but efforts like "Bobby Dazzler," a sort of mini-story about a fading pop star, weren't going to rival Pete Townshend or Randy Newman's gifts for telling concise offbeat tales in song. Once in a while they escaped the Beach Boys bag entirely, getting into vaudeville rock on "Baby Blue" and muted blue-eyed soul at other points, but sub-Brian Wilson songwriting and production were never far from their thoughts. Richie Unterberger, All Music Guide

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