Street Fighter: Legend of Chun-Li [Score] Stephen Endelman

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CD

  • Release Date: 03/03/2009
  • Sales Rank: 96,000
  • Label: LAKESHORE RECORDS
  • UPC: 780163406825

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Track List
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Street Fighter: Legend of Chun-Li [Score]

1LISTENStreet Fighter: The Legend of Chun-Li, film score~Chun-Li vs. Bison 4:08
2LISTENStreet Fighter: The Legend of Chun-Li, film score~Chun-Li Captured 1:42
3LISTENStreet Fighter: The Legend of Chun-Li, film score~Bison Takes Over 2:57
4LISTENStreet Fighter: The Legend of Chun-Li, film score~Opening Credits 2:41
5LISTENStreet Fighter: The Legend of Chun-Li, film score~The Montage 3:17
6LISTENStreet Fighter: The Legend of Chun-Li, film score~Arriving In Bangkok 1:23
7LISTENStreet Fighter: The Legend of Chun-Li, film score~The Break In 1:43
8LISTENStreet Fighter: The Legend of Chun-Li, film score~Mom Dies 1:18
9LISTENStreet Fighter: The Legend of Chun-Li, film score~Gen Is Reborn 1:54
10LISTENStreet Fighter: The Legend of Chun-Li, film score~Running To Vega 1:43
11LISTENStreet Fighter: The Legend of Chun-Li, film score~Bison's Entrance 2:39
12LISTENStreet Fighter: The Legend of Chun-Li, film score~Gen Attacked 1:43
13LISTENStreet Fighter: The Legend of Chun-Li, film score~Impress Me 2:33
14LISTENStreet Fighter: The Legend of Chun-Li, film score~Following Balrog 1:06
15LISTENStreet Fighter: The Legend of Chun-Li, film score~Leaving Home 1:02
16LISTENStreet Fighter: The Legend of Chun-Li, film score~Bomb!!! 1:42
17LISTENStreet Fighter: The Legend of Chun-Li, film score~The Escape 1:23
18LISTENStreet Fighter: The Legend of Chun-Li, film score~Bathroom Fight 0:49
19LISTENStreet Fighter: The Legend of Chun-Li, film score~Vega Fight 1:15
20LISTENStreet Fighter: The Legend of Chun-Li, film score~Reunited With Father 2:17
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Editorial Reviews

Composer Stephen Endelman didn't have a lot to work with in accepting the assignment to score director Andrzej Bartkowiak's martial arts action picture Street Fighter: Legend of Chun-Li, based on the Street Fighter video game. But he has made more of it than might have been expected. Mixing orchestra with synthesizer, he is forced to do some generic writing for the action sequences, some of which come right up front. ("Opening Credits" is actually the fourth cue.) The best he can manage to make such music interesting is to throw in an unusual time signature now and then; he's also fond of cut time, setting his melodies at half the speed of the driving rhythm. He is at his best with the infrequent calmer moments of the film, notably the "Opening Credits" and the cues called "Leaving Home" and "Reunited with Father," when he is able to employ a bit of Eastern tonality (the film is nominally set in Bangkok) and can get a somewhat wistful feeling into his writing. There isn't a lot of time for that sort of thing between chase scenes and fight scenes, but Endelman's music is better than the movie deserves. William Ruhlmann, All Music Guide

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