Enter a zip code
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
From the brilliant straight-ahead work on Trio 99 00 to the free-jazz explorations of his collaboration with Ornette Coleman on Song X, Pat Metheny has traveled the myriad byways of jazz throughout his more than 25 years as a recording artist. But to his millions of fans worldwide, the guitarist is best known as the leader of one of the most successful contemporary-jazz ensembles of recent years, the Pat Metheny Group. Though his “extracurricular” journeys have been great trips, it is with the group that he is most at home, and home has never sounded better than it does on Speaking of Now. Along with longtime cohorts keyboardist Lyle Mays and bassist Steve Rodby, Metheny welcomes three new members into the fold: drummer Antonio Sanchez, vocalist/percussionist Richard Bona, and Cuong Vu on trumpet and vocals, all three established artists in their own right. While the album features many of the trademarks that the group is known for -- airy, guitar- and keyboard-driven soundscapes mixed with world music vocals, especially on the album’s opening track, “As It Is” -- there now seems to be a more varied musical element present throughout. In fact, Speaking of Now is the group’s most diverse album in years. The album really kicks off on the second track, “Proof,” a piece that sounds like it would be perfectly at home on the 1978 Pat Metheny Group recording; it's propelled by Sanchez's swinging, solid drumming, along with a succession of great solos by Metheny, Mays, and Vu. The softer tracks, such as “Another Life” and “You,” highlight vocals of Bona and Vu, both of whom deliver gorgeous performances. Among the more interesting tracks is the funk/blues “Afternoon,” one of the most simple and basically melodic songs Metheny has written in a long time, with a solid groove to boot. The three new members are a welcome addition, putting a new spring into the step of this still vital group. Vu’s moody and haunting trumpet work gives the ensemble a more dynamic sonic dimension, while Sanchez’s fantastic playing is a definite plus, inspiring the group rhythmically. Even Metheny’s own playing is the best he’s done with the group in years -- he delivers a virtuoso performance without hitting you over the head with his prowess. Both superbly performed and always highly enjoyable, Speaking of Now should serve as the blueprint for contemporary-jazz records in the 21st century. Eric Lowenhar, Barnes & Noble