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Spanish Love Songs | ||
| 1. | El mirar de la maja, song for soprano & piano (Tonadillas al estilo antiguo, No. 6), H. 136/6 3:39 | |
| Composed by Enriqué Granados | ||
| Performed by Steven Blier and Lorraine Hunt Lieberson | ||
| 2. | Descúbrase el pensamiento de mi secreto cuidado, song for soprano & piano (Canciones amatorias, No. 1), H. 24/1 3:44 | |
| Composed by Enriqué Granados | ||
| Performed by Steven Blier and Lorraine Hunt Lieberson | ||
| 3. | Larirà-Abril, song for voice & piano 2:55 | |
| Composed by Joan Lamote de Grignon | ||
| Performed by Steven Blier and Joseph Kaiser | ||
| 4. | La Farruca, song 4:01 | |
| Composed by Joaquín Turina | ||
| Performed by Michael Barrett and Lorraine Hunt Lieberson | ||
| 5. | Nani, nani: Canción de cuna, song for voice & piano (Canciónes sefardíes No. 3) 4:00 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Michael Barrett and Lorraine Hunt Lieberson | ||
| 6. | Una pastora yo ami, song for voice & piano (Canciónes sefardíes No. 2) 2:10 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Michael Barrett and Joseph Kaiser | ||
View all tracks on this disc | ||
Bridge's collection of Spanish love songs is taken from a live performance of the New York Festival of Song at the 2004 Caramoor Festival, featuring Lorraine Hunt Lieberson, tenor Joseph Kaiser, and pianists Steven Blier and Michael Barrett. The CD includes not only songs in Spanish or by Spanish composers, but songs with Spanish subject matter or character, by Spanish, Catalan, French, German, and American composers. The quality of the recorded sound reflects the circumstances of the performance -- the recording sounds like it was made to be an archival document, without the intent of a commercial release. The voices and piano are always clearly audible, but the sound is shallow and dry. Nonetheless, it's easy to tell that these are some extraordinary performances.
Hunt Lieberson sings with her characteristic warmth, velvety tone, and penetrating insight into the meaning of the texts. Each of her performances is lustrous and moving, but "Komm, O Tod, von Nacht ungeben," from Wolf's "Spanisches Liederbuch" and Granados' "El mirar de la maja" especially stand out. Joseph Kaiser performs admirably, with musicality and conviction, but the quality of his voice and the depth of interpretations are not in same league as Hunt Lieberson's, and consequently the album feels unbalanced. In their duets, somehow, the discrepancy seems less pronounced, and Chabrier's tangy, vivacious "España" and Yradier's languid and familiar "La paloma" are among the album's highlights. Pianists Steven Blier and Michael Barrett tremendously add to the spirited performances with the flair of their accompaniments. Any fans of Lorraine Hunt Lieberson will want to hear her shining in this unusual repertoire. Stephen Eddins, All Music Guide