Soviet Kitsch Regina Spektor

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CD

  • Release Date: 09/21/2004
  • Sales Rank: 11,875
  • Label: SIRE / LONDON/RHINO
  • UPC: 093624889021

Listener Rating: (10 ratings)

Detailed Rating: "Authenticity" See All

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CD$14.99
CD - Bonus DVD$12.19
Vinyl LP$15.99
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
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Soviet Kitsch

1LISTENOde to Divorce 3:42
2LISTENPoor Little Rich Boy 2:27
3LISTENCarbon Monoxide 4:59
4LISTENThe Flowers 3:54
5LISTENUs 4:52
6LISTENSailor Song 3:15
7LISTEN*** 0:44
8LISTENYour Honor 2:10
9LISTENGhost of Corporate Future 3:21
10LISTENChemo Limo 6:04
11LISTENSomedays 3:21

About this Artist

Editorial Reviews

Maybe it's just the preponderance of piano in her music, but Regina Spektor sounds more like a traditional singer/songwriter (in the best sense of that phrase) than her anti-folk contemporaries. On Soviet Kitsch, her third album -- and major-label debut -- her sound is more refined than ever before, but there are still plenty of rough edges and unexpected twists and turns. The Fiona Apple and Cat Power comparisons that have been leveled at Spektor since her first album 11:11 are still valid, particularly on songs like "Carbon Monoxide" and "Somedays," but Spektor is more theatrical and playful than either of those artists. Quirky character sketches such as "Ghost of Corporate Future" and "Ode to Divorce," and flights of fancy like the charming "Us" are quintessentially Spektor; though her songs may not be diary entries set to music, she imbues them with lots of personality and intimate details. Nowhere is this more apparent than on "Chemo Limo," a strangely uplifting song about a woman living with (not dying from) cancer that ends up being one of Soviet Kitsch's standout moments. "Flowers," which begins with a section inspired by her classical training and then moves to a part based on her Russian Jewish heritage, also shows how easily Spektor can incorporate different sounds and ideas into her own music. She does a 180 on the raw "Sailor Song," on which she gleefully yells, "Marianne's a bitch," and on the punky, off-the-cuff "Your Honor," which also features the London rock group Kill Kenada. A few of Soviet Kitsch's songs, like "Poor Little Rich Boy," concentrate on the childlike, mischievous side of Spektor's sound that puts her in the love-it-or-hate-it category for some listeners. Still, Spektor is an engaging performer throughout the album, and despite her arty quirks, she's never pretentious. She originally self-released Soviet Kitsch nearly two years before Sire released it, so it'll be interesting to hear what she does next. Heather Phares, All Music Guide

Customer Reviews

So Coolby Anonymous

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March 11, 2005: This is one of the coolest albums I have ever heard. I got caught dancing to 'Us' the other day. Regina has the most amazing voice and she plays piano beautifully. All the songs make you feel many different things and anybody can get into her music. It is a very eclectic album, and I wouldnt want it any other way.

landmark albumby Anonymous

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March 10, 2005: Yet another New York songstress hits the scene, this time in the form of a Jewish-Russian immigrant transplanted to the Bronx with the voice of a songbird that reminds you of the missed but not forgotten, Fiona Apple. In times where audiences are clamoring record bigwigs for Fiona's captured album, one might be able to find momentary consolation in Miss Spektor's premiere album, Soviet Kitsch. Simple with piano accompaniment and Regina's playful, sometimes uncertain, but always soulful voice, the album is loaded with catchy lyrics and delightfully refreshing youthfulness. "Poor Little Rich Boy" playfully mocks the familiar twenty-somethings cravings for enlightenment while simultaneously struggling for emotional outlets. "The Flowers" possibly could become Regina's version of the Tori Amos song "Silent All These Years." Stay tuned... we might have another fiery treasure in the making.


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