Soundtracks, Vol. 2 Marc Ribot

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CD

  • Release Date: 09/23/2003
  • Sales Rank: 98,032
  • Label: TZADIK
  • UPC: 702397751625

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Soundtracks, Vol. 2

1LISTENJoe Schmo, film score~Small Consolation 0:52
2LISTENThe Killing Zone, film score~Prowler 2:58
3LISTENJoe Schmo, film score~House of Mirrors 1:48
4LISTENThe Killing Zone, film score~Urbanight 2:39
5LISTENThe Killing Zone, film score~Shockuhachi 1:24
6LISTENJoe Schmo, film score~Blue Party 1:07
7LISTENThe Killing Zone, film score~The Beast in the Jungle 2:28
8LISTENJoe Schmo, film score~Nausea 2:58
9LISTENThe Killing Zone, film score~Savannah 2:15
10LISTENJoe Schmo, film score~Miles to Go 1:02
11LISTENThe Killing Zone, film score~The Dream of the Other 1:03
12LISTENJoe Schmo, film score~Green Party 0:53
13LISTENThe Killing Zone, film score~Pensando 3:54
14LISTENThe Killing Zone, film score~Blurry in Brooklyn 1:49
15LISTENThe Killing Zone, film score~The Killing Zone 5:08
16LISTENThe Killing Zone, film score~Flatbush Eyes 1:28
17LISTENJoe Schmo, film score~Miles Behind 0:58
18LISTENThe Killing Zone, film score~Requiem for Eitan 3:04
19LISTENJoe Schmo, film score~Penitant Skyline 0:41
20LISTENThe Persistence of Memory (Remix for a film by Jennifer Reeves) / Ned Rothenberg 7:37
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About this Artist

Editorial Reviews

The already eclectic Marc Ribot may have released his widest-reaching album to date with Soundtracks, Vol. 2. From neo-Dixieland to spooky electronica to solo shakuhachi, Ribot turns in a head-spinning program of disparate genres that hang together surprisingly well as an album. There's also a faux-African highlife piece ("Flatbush Eyes"), kind of surfy klezmer ("House of Mirrors"), and a couple soul tunes ("Blue Party" and the aptly titled "Green Party," which sounds like Ribot's take on the Hi Records sound). "Nausea" sounds something like a circus carnival playing "Take Me Out to the Ball Game," while "Pensando" is a pretty solo acoustic guitar piece. Ribot's guitar credentials have never been in doubt, but his recent works for Tzadik is showing him to be an impressive composer with a broad palette as well. Sean Westergaard, All Music Guide

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