Soulfly EXPLICIT LYRICS Soulfly

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CD

  • Release Date: 04/21/1998
  • Sales Rank: 73,986
  • Label: ROADRUNNER RECORDS
  • UPC: 016861874827

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  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
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Soulfly

1LISTENEye for an Eye 3:34
2LISTENNo Hope = No Fear 4:35
3LISTENBleed 4:06
4LISTENTribe 6:02
5LISTENBumba 3:59
6LISTENFirst Commandment 4:29
7LISTENBumbklaatt 3:51
8LISTENSoulfly 4:48
9LISTENUmbabarauma 4:11
10LISTENQuilombo 3:43
11LISTENFire 4:21
12LISTENThe Song Remains Insane 3:39
13LISTENNo 4:00
14LISTENPrejudice 6:52
15LISTENKarmageddon 5:44

About this Artist

Editorial Reviews

Longtime fans of Sepultura who feared that ex-leader Max Cavalera would conform to the tempting (and lucrative) alternative music scene upon his departure need not worry. Like his last release with Sepultura, the superb Roots, experimentation (Brazilian tribal drumming/rhythms, samples, unearthly sound effects, etc.) is a catalyst here on Soulfly, but gut-wrenching heavy metal is the foundation for almost all of the tracks. The energy and intensity don't let up for a second throughout this debut, as heard on the grinding tracks "Eye for an Eye," "Bumbklaatt," and "The Song Remains Insane." Max had stated in interviews his fondness for reggae legend Bob Marley, and the title track proves to be his first foray into reggae/dub territory (and serves as a nice break from the rest of the album's over the top metal). The album also contains guest appearances by several leading hard rockers -- Chino Moreno from the Deftones, Fred Durst and DJ Lethal from Limp Bizkit, Eric Bobo from Cypress Hill, and Burton C. Bell, Dino Cazares, and Christian Olde Wolbers from Fear Factory. Soulfly is the perfect vehicle for Cavalera's unique heavy metal vision, and a great way to kick off the second part of his recording career. Greg Prato, All Music Guide

Customer Reviews

  • Listener Rating:
  • Ratings: 1Reviews: 1

Soulflyby Anonymous

Reader Rating:
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August 12, 2008: Those guilty of the crime of murder which touched Max's life so heavily have got to understand by now that if Max had his way, they would face their punishment in equal measure to their crime. That being said, this album is truly scorching. Most of the songs were crafted around this theme of justice and revenge, but each singularly represents Soulfly's mastery of their craft. They know how to drive a song, but without seeming frantic and reckless about it. Skilled, thundering percussion, Max's incredible guitar playing and his passionate roar, it all makes for music to stir your blood. One can even almost ignore the now very dated contribution of Fred Durst, which at one time I deemed an awesome guest appearance but, like most things from the late 90s, has now passed into an annoyance. The fury and anguish in Max's voice translates into what I believe is his strongest effort since Sepultura, and one of the strongest albums in the entire Soulfly catalogue. Of special note are his ventures into the world of reggae. Get it and enjoy.