Songs the Lord Taught Us [Bonus Tracks] The Cramps

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CD

  • Release Date: 11/24/1998
  • Original Release: 1980
  • Label: EMI EUROPE GENERIC
  • UPC: 724349383623
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CD$7.89
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Songs the Lord Taught Us [Bonus Tracks]

1LISTENTV Set 3:12
2LISTENRock On The Moon 1:53
3LISTENGarbageman 3:37
4LISTENI Was A Teenage Werewolf 3:03
5LISTENSunglasses After Dark 3:47
6LISTENThe Mad Daddy 3:48
7LISTENMystery Plane 2:43
8LISTENZombie Dance 1:55
9LISTENWhat's Behind The Mask 2:05
10LISTENStrychnine 2:24
11LISTENI'm Cramped 2:37
12LISTENTear It Up 2:32
13LISTENFever 4:17
14LISTENI Was A Teenage Werewolf Bonus Track / Original Mix / Take 4:48
15LISTENMystery Plane Bonus Track / Original Mix 2:39
16LISTENTwist And Shout Bonus Track 2:32
17LISTENI'm Cramped Bonus Track / Original Mix 2:37
18LISTENThe Mad Daddy Original Mix 3:15

About this Artist

Editorial Reviews

Continuing the spooked-out and raging snarls of Gravest Hits, the Cramps once again worked with Alex Chilton on the group's full-album debut, Songs the Lord Taught Us. The jacket reads "file under: sacred music," but only if one's definition includes the holy love of rockabilly sex-stomp, something which the Cramps fulfill in spades. Having spent Gravest Hits mostly doing revamps of older material, the foursome tackled a slew of originals like "The Mad Daddy" and "TV Set" this time around, creating one of the few neo-rockabilly records worthy of the name. Years later Songs still drips with threat and desire both, testament to both the band's worth and Chilton's just-right production. "Garbageman" surfaced as a single in some areas, a wise choice given the at-once catchy roll of the song and downright frightening guitar snarls, especially on the solo. The covers of the Sonics' "Strychnine" and Billy Burnette's "Tear It Up" -- not to mention the concluding riff on "Fever" -- all challenge the originals. Interior has the wailing, hiccuping, and more down pat, but transformed into his own breathless howl, while Ivy and Gregory keep up the electric fuzz through more layers of echo than legality should allow. Knox helms the drums relentlessly; instead of punching through arena rock style, Chilton keeps him the rushed rhythm running along in the back, increasing the sheer psychosis of it all. Ned Raggett, All Music Guide

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