
CD
| 1 | Darling Corey by Bruce Hornsby |
| 2 | Cry, Cry Darling by Dolly Parton |
| 3 | Heavy Traffic Ahead by Steve Wariner |
| 4 | Close By by Patty Loveless |
| 5 | Blue Moon of Kentucky by John Fogerty |
| 6 | Used to Be by the Whites |
| 7 | Walk Softly on This Heart of Mine by the Dixie Chicks & Ricky Skaggs |
| 8 | My Little Georgia Rose by Travis Tritt |
| 9 | I Am a Pilgrim by Charlie Daniels |
| 10 | On the Old Kentucky Shore by Joan Osborne & Ricky Skaggs |
| 11 | Blue Night by Mary Chapin Carpenter |
| 12 | Rocky Road Blues by Dwight Yoakam |
| 13 | Uncle Pen by Ricky Skaggs & Travis Tritt, Sharon & Cheryl White, Charlie Daniels & Mary Chapin Carpenter |
| 14 | Big Mon (instrumental) |
If you're Ricky Skaggs, bluegrass has always been in your heart, and that heart has been pledged specifically to the sounds of Bill Monroe. So it's no surprise to find Ricky assembling an all-star cast for an old-fashioned hoedown in memory of the father of bluegrass, and it's a big winner. Bruce Hornsby's evocative opening take on "Darling Corey" sounds more like a Bruce Hornsby song than a Bill Monroe song, but the next 13 cuts keep the faith in a most admirable way. Dolly Parton's resurgence as a bluegrass artist continues with a powerful, understated performance of "Cry, Cry Darlin'," and Patty Loveless moans "Close By" as if it were an outtake from her wonderful Mountain Soul. The Dixie Chicks, in their first released recording since Fly, provide impeccable harmony singing -- a soothing counterpoint to the spite-filled deliveries of Natalie Maines and Skaggs -- on the bitter breakup classic "Walk Softly on This Heart of Mine." Kentucky native Dwight Yoakam checks in with a spirited, fiddle-driven production of "Rocky Road Blues," sounding appropriately buffoonish as he celebrates his woman's taking off with another man and then sheepishly admits he regrets being alone. John Fogerty adds proper historical perspective on Monroe's influence by offering a feisty, Presley-styled (read: rockabilly) interpretation of "Blue Moon of Kentucky," complete with slapping bass and guitar solos that liberally quote from the texts of Scotty Moore and Carl Perkins. Steve Wariner, the Whites, Joan Osborne (duetting with Ricky on the plaintive "On the Old Kentucky Shore"), and Mary Chapin Carpenter all pitch in with exemplary performances, and Skaggs wraps up the proceedings with a rip-roaring workout on "Uncle Pen," with Travis Tritt, the Whites, Charlie Daniels and Mary Chapin all taking turns round the microphone. Add this to the recently issued salute to Webb Pierce, Caught in the Webb, and 2002 is a mighty good year for country music tributes. David McGee, Barnes & Noble