Enter a zip code
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| 11 | |
In SHACK-MAN, Medeski, Martin and Wood have delivered an album that is filled with prime, danceable cuts that also cast a discerning eye toward jazz. On tunes like "Bubblehouse," this bass, drums, and keyboard team tosses pungent solos around, yet never loses its distinctive rhythmic mesh. In "Henduck" the trio unites for a helter-skelter-like descent, reemerging on the other side thanks to alternate foraging solos. Live, the trio flows songs into one another effortlessly; here, the practice is repeated for maximum groove effect. As an exercise in promoting the idea of "new jazz," SHACK-MAN is good to go. Chiedo Nkwocha, Barnes & Noble