Send in the Clowns: The Ballads of Stephen Sondheim

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CD

  • Release Date: 08/04/2009
  • Original Release: 2002
  • Sales Rank: 7,870
  • Label: SBME SPECIAL MKTS.
  • UPC: 886974927624

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Send in the Clowns: The Ballads of Stephen Sondheim

1LISTENSend in the Clowns / Cleo Laine From A Little Night Music 3:48
2LISTENLosing My Mind / Paul Gemignani From Follies 4:12
3LISTENI Remember / David Kernan From Evening Primrose 3:10
4LISTENLiaisons / Hermione Gingold From A Little Night Music 5:07
5LISTENWith So Little to Be Sure Of / Carolan Page From Anyone Can Whistle 4:31
6LISTENNot a Day Goes By / American Theatre Orchestra From Merrily We Roll Along 3:34
7LISTENPretty Women / Stephen Collins From Sweeney Todd 2:01
8LISTENIn Buddy's Eyes / Paul Gemignani From Follies 3:01
9LISTENNo One Is Alone / Jonathan Tunick From Into the Woods 3:51
10LISTENJohanna / Victor Garber From Sweeney Todd 2:01
11LISTENSo Many People / Suzanne Henry From Saturday Night Fever 3:02
12LISTENSorry-Grateful / Stephen Collins From Company 3:33
13LISTENToo Many Mornings / George Hearn From Follies 4:57
14LISTENFinishing the Hat / Mandy Patinkin From Sunday in the Park With George 3:24
15LISTENNot While I'm Around / Ken Jennings From Sweeney Todd 3:58
16LISTENLike It Was / Julie Andrews From Merrily We Roll Along 2:44
17LISTENUnworthy of Your Love / Annie Golden From Assassins 3:29
18LISTENAnyone Can Whistle / Jonathan Tunick From Anyone Can Whistle 3:03

Editorial Reviews

When one thinks of ballads, one generally thinks of love songs, which may be one reason why Stephen Sondheim's songs have resisted being separated from the shows for which they were written to become pop hits. Sondheim has written many ballads in the sense of songs that have strong melodies, slow tempos, and reflective lyrics, but he hasn't written many straightforward love songs. This collection, drawn from RCA Victor's catalog of cast albums and other Sondheim-related recordings, gives a good indication of the kind of subjects that interest the songwriter. As annotator Daniel Guss suggests, several of these songs have attracted numerous cover versions -- "Not a Day Goes By," "Not While I'm Around," and "Losing My Mind," in particular -- but only the title song is what can be called a hit or a standard in the general sense. Even when a song seems to express a simple romantic sentiment, those aware of the context in which it used in the show know it is masking something darker. "Pretty Women" is sung by the murderous barber Sweeney Todd with Judge Turpin, whose throat he is preparing to cut; "Not While I'm Around" is a duet in which Mrs. Lovett, another character in Sweeney Todd, decides she'll have to dispose of Toby, who is singing the song to her; and "Unworthy of Your Love" is a duet by two presidential assassins explaining the perverted devotion that leads them to their desperate acts. On the other hand, "Finishing the Hat" is a triumph of romantic restraint in which Georges Seurat justifies painting over living a normal life. This is not, then, an album of conventional love songs, but it is an album containing some great theater songs, sung by some of the theater's greatest performers of the last quarter of the 20th century. William Ruhlmann, All Music Guide

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