Schubert: The Complete Songs, Vol. 17

1	Lied ("Mutter geht durch
2	Loda's Gespenst ("Der ble
3	Klage ("Trauer umfliesst
4	Lorma ("Lorma sass in der
5	Der Herbstabend ("Abendgl
6	Die Einseidelei II ("Es r
7	Die Herbstnacht ("Mit lei
8	Lied in der Abwesenheit (
9	Frühlingslied ("Die Luft
10	Winterlied ("Keine Blumen
11	Minnelied ("Holder klingt
12	Aus Diego Manazares ("Wo
13	Pflicht und Liebe ("Du, d
14	An den Mond ("Was schaues
15	Litanei auf das Fest Alle
16	Geheimnis ("Sag an,..."),
17	Am Grabe Anselmo's ("Dass
18	An die Nachtigall ("Er li
19	Klage um Ali Bey II ("Las
20	Phidile ("Ich war erst se
21	Herbstlied ("Bunt sind sc
22	Lebenslied ("Kommen und S
23	Leiden der Trennung ("Vom
24	Seraphine an ihr Klavier
Schubert: The Complete Songs, Vol. 17
1.	Lied ("Mutter geht durch ihre Kammern"), song for voice & piano, D. 373 2:03
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
2.	Loda's Gespenst ("Der bleiche, kalte Mond"), song for voice & piano, D. 150 11:07
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
3.	Klage ("Trauer umfliesst mein Leben"), song for voice & piano, D. 371 2:24
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
4.	Lorma ("Lorma sass in der Halle"), song for voice & piano (second version) (fragment), D. 376 2:51
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
5.	Der Herbstabend ("Abendglockenhalle zittern"), song for voice & piano ("An Sie"), D. 405 2:51
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
6.	Die Einseidelei II ("Es rieselt klar"), song for voice & piano, D. 393 3:22
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
7.	Die Herbstnacht ("Mit leisen Harfentönen"), song for voice & piano (Wehmut), D. 404 2:30
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
8.	Lied in der Abwesenheit ("Ach, mir ist das Herz so schwer"), song for voice & piano (fragment), D. 416 1:51
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
9.	Frühlingslied ("Die Luft ist blau"), song for voice & piano, D. 398 1:18
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
10.	Winterlied ("Keine Blumen blühn"), song for voice & piano, D. 401 2:12
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
11.	Minnelied ("Holder klingt der Vogelsang"), song for voice & piano, D. 429 2:00
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
12.	Aus Diego Manazares ("Wo irrst du"), song for voice & piano, D. 458 1:04
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
13.	Pflicht und Liebe ("Du, der ewig um mich trauert"), song for voice & piano, D. 467 2:57
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
14.	An den Mond ("Was schauest du so hell...?"), song for voice & piano, D. 468 2:55
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
15.	Litanei auf das Fest Aller Seelen ("Ruh'n in Frieden alle Seelen"), song for voice & piano, D. 343 4:48
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
16.	Geheimnis ("Sag an,..."), song for voice & piano, D. 491 2:46
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
17.	Am Grabe Anselmo's ("Dass ich dich verloren habe"), song for voice & piano, D. 504 (Op. 6/3) 3:13
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
18.	An die Nachtigall ("Er liegt und schläft"), song for voice & piano, D. 497 (Op. 98/1) 1:39
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
19.	Klage um Ali Bey II ("Lasst mich!"), song for voice & piano, D. 496a 1:54
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
20.	Phidile ("Ich war erst sechszehn..."), song for voice & piano, D. 500 4:26
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
21.	Herbstlied ("Bunt sind schon die Wälder"), song for voice & piano, D. 502 1:51
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
22.	Lebenslied ("Kommen und Scheiden"), song for voice & piano, D. 508 2:38
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
23.	Leiden der Trennung ("Vom Meere trennt sich"), song for voice & piano (Sehnsucht), D. 509 1:26
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp
24.	Seraphine an ihr Klavier ("Sanftes Clavier"), song for voice and piano, D. 342 4:53
	Composed by Franz Schubert
	Performed by Graham Johnson and Lucia Popp

All Music Guide

It's not that 1816 was a bad year for Schubert songs -- that year has its share of masterpieces. It's that 1816 was a prolific year for Schubert -- that year he produced more songs than in the whole last three years of his life. And as with any sufficiently large oeuvre, there will be peaks and valleys. Unfortunately, many of those valleys are on this volume of Graham Johnson's Schubert edition. Fortunately, Johnson engaged soprano Lucia Popp to traverse those valleys with him, and the result is a disc of performances so superb, so moving, so thrilling, and so elevated that one never notices that one is in a valley. How Popp does it is a mystery. Of course, she has a wonderful voice, a voice of clarity and grace and seemingly effortless technique. And, of course, she is a magnificent interpreter, a singer who can turn a phrase so that it shimmers, who can deliver a melody so that it shines. But how all of this adds up to performances of exquisite ecstasy and transcendent beauty of songs that are not among the most exquisite and transcendent is still a mystery. What is not a mystery is the supremely high quality of Johnson's accompaniments and the supremely high quality of his liner notes. This is another triumphant volume in the Schubert edition. James Leonard

Gramophone

The passing years have dealt kindly with Lucia Popp's silvery soprano. Her breath control, and therefore her steady tone, are virtually intact so that a pure line, essential in this particular programme, is always at her service.... [This] rewarding disc...will surely be a thing of joy for many years to come. Alan Blyth