Editorial Reviews

From today's perspective, the 17th-century violin sonata may seem like a work in progress, in an early stage of evolution to its later classical perfection. At the time, of course, it simply was what it was: a quasi-improvisatory fantasy comprising a sequence of brief, contrasting moods, rich in melodic invention and opportunities for virtuoso display. John Holloway's recital features one of the most important groups of mid-century sonatas, the six "Sonatae unarum fidium" of Johann Heinrich Schmelzer. The Latin title sounds arcane and forbidding, but the music is always engaging, whether inspired by dance or exploring more contemplative territory. Here and in the irresistibly jaunty "Chiacona" of Antonio Bertali, Holloway is joined by both harpsichord and organ, an atypical basso continuo accompaniment. The dual keyboard approach provides a rich harmonic backdrop to support Holloway's radiant and eloquent violin playing. An anonymous sonata from the same period rounds out this enlightening and enjoyable introduction to intriguing chamber music of the early baroque. Scott Paulin, Barnes & Noble

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