Scheherazade & Other Stories EXPLICIT LYRICS Deep Dish

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CD

  • Release Date: 06/06/2000
  • Sales Rank: 17,944
  • Label: REPERTOIRE
  • UPC: 4009910449028
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
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Scheherazade & Other Stories

1LISTENTrip to the Fair / Renaissance 10:54
2LISTENThe Vultures Fly High / Renaissance 3:08
3LISTENOcean Gypsy / Renaissance 7:09
4LISTENSong of Scheherazade: Fanfare/The Betrayal/The Sultan/Love ... / Renaissance 24:39

About this Artist

Editorial Reviews

A feeling of suspense lingers throughout Deep Dish's DJ-mixing, as one never truly knows which direction the Maryland duo will take their set with the successive track. The movements from house to trance to Underworld and even to the infamous Culture Club remix on Deep Dish's excellent Yoshiesque album are a perfect example of these sweeping shifts in not only sound, but more importantly, mood. Particularly at a point in time -- late 2000 -- when a plethora of Gatecrasher, Ministry of Sound, and Tranceport-style mix CDs assaulted listeners with a barrage of hands-in-the-air anthems in their attempt to give the consumer bang for their buck, albums such as Deep Dish's Renaissance Ibiza are refreshing and welcome. On this particular mix album, Deep Dish flirts with the uplifting synths of trance, but thankfully remains grounded, for the most part sticking with killer rhythms rather than sublime melodies, until the concluding moment of tranquil bliss when they drop BT's "Dreaming (Evolution Mix)" and MRE's "The Deep Edge." They begin the album with some mid-tempo deep house tracks and eventually move into the pumping progressive house, characterized by pounding bass beats and driving rhythms. Of course, there are tracks such as their own remix of Sven Vath's "Barbarella" and the sensual synth washes of "The Flying Song (Markus Schulz Vocal Mix" when the music drifts into unclassifiable territory -- these moments are simply too ethereal for house, yet too secular for trance -- it's a fine line they balance better than most anyone. So while their first disc flirts with intensity, instead delivering an ever-fluctuating state of mood, their second set begins with a bang (three of the first four are Timo Maas productions), never letting up its tempo as they navigate through some questionable territory -- Moby's "Porcelain (Futureshock Mix)" and Green Velvet's "Flash (Danny Tenaglia's Nitrous Oxide Mix)," two arguably played out yet undeniably great songs -- before their glossy trance finale. Along the way, there are many twists and turns as the duo continually change direction and style, yet this is exactly why they are so appealing: few DJs -- with the exception of Danny Tenaglia and a few others -- are this willing to take risks on different styles of music and the handful of familiar tracks that always find their way into Deep Dish's sets. Jason Birchmeier, All Music Guide

Customer Reviews

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One of the loveliest voices in rock musicby Anonymous

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May 29, 2006: The best work of Renaissance never strayed far from the symphonic style of 19th and 20th century music. Scheherazade & Other Stories, certainly one of the band’s most ambitious recordings, saw the band using their classical roots to produce one of the signature albums of 1970’s progressive rock. Unlike other prog-rock groups, Renaissance eschewed much of the technology in favor of acoustic instruments and orchestral arrangements. Electric guitars and synthesizers were seldom used, giving the band’s music more of a symphonic sweep. This is not to say that Renaissance was without talented musicians. John Tout was an accomplished pianist and his work is well represented on Scheherazade & Other Stories. Jon Camp innovative bass lines often provided the melodic structures for the songs. And of course, Annie Haslam’s ethereal vocals were the musical centerpiece of the band. Renaissance was an incredibly talented ensemble and featured one of the loveliest voices in rock music.