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Scarlatti: Concerti & Sinfonie | ||
| 1. | Clori, Dorino e Amore, serenata for 3 voices, chorus & instruments: Sinfonia: 1. Largo 1:54 | |
| Composed by Alessandro Scarlatti | ||
| Performed by Fabio Biondi and Europa Galante | ||
| Conducted by Fabio Biondi | ||
| 2. | Clori, Dorino e Amore, serenata for 3 voices, chorus & instruments: Sinfonia: 2. Presto 0:47 | |
| Composed by Alessandro Scarlatti | ||
| Performed by Fabio Biondi and Europa Galante | ||
| Conducted by Fabio Biondi | ||
| 3. | Clori, Dorino e Amore, serenata for 3 voices, chorus & instruments: Sinfonia: 3. Minuet 0:48 | |
| Composed by Alessandro Scarlatti | ||
| Performed by Fabio Biondi and Europa Galante | ||
| Conducted by Fabio Biondi | ||
| 4. | Clori, Dorino e Amore, serenata for 3 voices, chorus & instruments: Sinfonia: 4. Grave 0:49 | |
| Composed by Alessandro Scarlatti | ||
| Performed by Fabio Biondi and Europa Galante | ||
| Conducted by Fabio Biondi | ||
| 5. | Sinfonia No.7 for strings and continuo in C major 3:29 | |
| Composed by Domenico Scarlatti | ||
| Performed by Fabio Biondi, Europa Galante and Margret Köll | ||
| Conducted by Fabio Biondi | ||
| 6. | Concerti grossi (6) ("VI Concertos in Seven Parts"): Concerto grosso No. 1 in F minor 7:44 | |
| Composed by Alessandro Scarlatti | ||
| Performed by Fabio Biondi and Europa Galante | ||
| Conducted by Fabio Biondi | ||
View all tracks on this disc | ||
Given their lyrical charm, it is surprising how infrequently Alessandro Scarlatti's six concerti grossi have been recorded. Although admittedly not as tuneful as Corelli's or Handel's, these works alternate pleasingly between melancholy and pastoral cheer, with achingly beautiful slow movements. Fabio Biondi and his period instrument ensemble, Europa Galante, give atmospheric performances that make the most of the music's contrapuntal richness. The disc opens with a richly woven and noble work that served as an overture to Alessandro's Clori, Dorino e Amore (a vocal serenade) and closes with an orchestral sonata that features a prominent part for solo recorder. Peppered through the program are three brilliant and dashing sinfonias by Alessandro's son, Domenico, best known for his keyboard sonatas. Thus, while the concerti grossi are the main attraction here, the other works provide a complementary framework as well as aural variety in mood and texture. The sound quality is warm and clear. Andrew Farach-Colton, Barnes & Noble