Barnes & Noble
Heavy on singer-songwriters and baby-boomer faves, SATURDAY NIGHT LIVE: 25 YEARS OF MUSICAL PERFORMANCES, VOL. 1 is music for the Bill Murray generation. Featuring James Taylor, the Grateful Dead, Tom
Petty, and Eric Clapton, its highlights include Randy Newman's "I Love L.A." and
Paul Simon's GRACELAND classic "Diamonds on the Soles of Her Shoes." But most unforgettable is Elvis Costello's legendarily scathing 1977
performance. Apparently infuriated by the arrogance of the cast members,
and quite drunk, Elvis shook up the audience by suddenly cutting from the safe "Less Than Zero" to his scathing media indictment, "Radio, Radio." A true punk-rock moment if ever there was one.
Jon Dolan
All Music Guide
Since its debut in October 1975, Saturday Night Live has always prominently featured musical acts and during its lenghthy history, there have been a number of remarkable performances -- so many, as a matter of fact, that it's hard to believe that a collection of musical highlights wasn't released until the fall of 1999. Two volumes of musical performances, containing 15 tracks apiece, were released simulataneously that year, purportedly to celebrate SNL's 25th anniversary (yes, it actually coincided with their 24th birthday, but jumping the gun is part of the show's history -- they celebrated their 20th anniversary on their 19th). Given that so much music has aired on the show, it's inevitable that some favorites are missing -- whether it's the Replacements' legendary drunken appearence or Simon & Garfunkel's reunion. Still, most of the featured tracks on Saturday Night Live: 25 Years, Vol. 1 are pretty great. The most notorious of all is Elvis Costello's "Radio Radio," which he performed after being warned by the network not to sing it, but it's not the only highlight here -- Paul Simon's "Diamonds on the Soles of Her Shoes," Sting's "If I Ever Lose My Faith in You," Jewel's "Who Will Save Your Soul," Lenny Kravitz's "Are You Gonna Go My Way," Tom Petty's "Honey Bee," the Grateful Dead's "Casey Jones," Billy Joel's "Only the Good Die Young," David Bowie's "Scary Monsters (And Super Creeps)" and Randy Newman's "I Love LA" are all worth the price of admission. It is true that the collection leans a little too heavily on '90s material (which makes sense, since it was released in the '90s), but as the start of a (hopefully) long-running series of compilations, it's very good indeed. Stephen Thomas Erlewine