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Sanctus: 1000 Years of Sacred Music (Box Set) | ||
| 1. | Cum processit, antiphon 2:56 | |
| Composed by Hildegard von Bingen | ||
| 2. | Cum erubuerint, antiphon 1:58 | |
| Composed by Hildegard von Bingen | ||
| 3. | O frondens virga, antiphon 1:47 | |
| Composed by Hildegard von Bingen | ||
| 4. | Ave generosa, hymn 5:02 | |
| Composed by Hildegard von Bingen | ||
| 5. | O virga ac diadema, sequence 7:10 | |
| Composed by Hildegard von Bingen | ||
| 6. | Karitas habundat (Caritas abundat), antiphon 1:47 | |
| Composed by Hildegard von Bingen | ||
| 7. | O pastor animarum, antiphon 1:25 | |
| Composed by Hildegard von Bingen | ||
| 8. | O quam preciosa, response 4:02 | |
| Composed by Hildegard von Bingen | ||
| 9. | Kyrie eleison 2:07 | |
| Composed by Hildegard von Bingen | ||
| 10. | Ordo Virtutum, liturgical drama: Patriarchae et Prophetae 2:10 | |
| Composed by Hildegard von Bingen | ||
| 11. | Ordo Virtutum, liturgical drama: Castitas 1:43 | |
| Composed by Hildegard von Bingen | ||
| 12. | Ordo Virtutum, liturgical drama: Virtutes 1:03 | |
| Composed by Hildegard von Bingen | ||
| 13. | Antiphona ad Magnificat / Magnificat / Antiphona ad Benedictus / Hildegardis prophetissa 4:24 | |
| Composed by Gregorian Chant | ||
| 14. | In I Vesperis, hymnus ex officio in hon. S. Hildegardis 2:53 | |
| Composed by Maura Böckeler | ||
| 15. | Work(s): [Unspecified] Stabat Mater 11:22 | |
| Composed by G.P. Da Palestrina | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 16. | O vos omnes, responsory for 4 voices 2:30 | |
| Composed by Tomás Luis de Victoria | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 17. | O vos omnes, unspecified: Unspecified O vos omnes 2:58 | |
| Composed by Carlo Gesualdo | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 18. | Lamentations (of Jeremiah), 1st lesson for 5 voices, P. 102 7:29 | |
| Composed by Thomas Tallis | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 19. | Civitas sancti tui (also anthem "Bow Thine ear, O Lord"), motet for 5 voices (SAT Bar (or tenor) B) 4:23 | |
| Composed by William Byrd | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 20. | Vox in Rama 4:31 | |
| Composed by George Kirbye | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 21. | How Are the Mighty Fallen 7:40 | |
| Composed by Robert Ramsey | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 22. | When David heard (O my son Absalom), sacred madrigal in 2 sections for 6 voices 4:20 | |
| Composed by Thomas Weelkes | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 23. | Absalon, Fili Mi, motet for 4 parts (poss. spurious) 3:56 | |
| Composed by Josquin Desprez | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 24. | When David Heard That Absalom Was Slain, for 5 voices 4:44 | |
| Composed by Thomas Tomkins | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 25. | Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts 4:38 | |
| Composed by Josquin Desprez | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 26. | Miserere mei Deus (Psalm 51), motet for chorus 12:38 | |
| Composed by Gregorio Allegri | ||
| Performed by Clare College Choir, Cambridge | ||
| Conducted by Timothy Brown | ||
| 27. | Vespro della beata vergine, for chorus & instruments, SV 206 1:28:53 | |
| Composed by Claudio Monteverdi | ||
| Conducted by Rolf Schweizer | ||
| Performed by Monika Mauch, Adolph Seidel and Tobias Hiller | ||
| 28. | Te Deum and Jubilate Deo, for soloists, chorus, & instruments in D major, Z. 232 18:49 | |
| Composed by Henry Purcell | ||
| Performed by Baroque Brass of London, Jonathan Brown, William Carter, Clare College Choir, Cambridge, Jennifer Ward Clarke, Andrew Manze, Marshall Marcus, Jan Schlapp and Liz Kenny | ||
| Conducted by Rolf Schweizer | ||
| 29. | My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28 9:28 | |
| Composed by Henry Purcell | ||
| Performed by Baroque Brass of London, Jonathan Brown, William Carter, Clare College Choir, Cambridge, Jennifer Ward Clarke, Andrew Manze, Marshall Marcus, Jan Schlapp and Liz Kenny | ||
| Conducted by Rolf Schweizer | ||
| 30. | O God, thou art my god, anthem for 2 sopranos, alto, tenor, bass, double chorus & organ, Z. 35 3:24 | |
| Composed by Henry Purcell | ||
| Performed by Baroque Brass of London, Jonathan Brown, William Carter, Clare College Choir, Cambridge, Jennifer Ward Clarke, Andrew Manze, Marshall Marcus, Jan Schlapp and Liz Kenny | ||
| Conducted by Rolf Schweizer | ||
| 31. | Lord, how long wilt Thou be angry, anthem for alto, tenor, bass, chorus & organ, Z. 25 3:17 | |
| Composed by Henry Purcell | ||
| Performed by Baroque Brass of London, Jonathan Brown, William Carter, Clare College Choir, Cambridge, Jennifer Ward Clarke, Andrew Manze, Marshall Marcus, Jan Schlapp and Liz Kenny | ||
| Conducted by Rolf Schweizer | ||
| 32. | Remember not, Lord, our offences, anthem for chorus & organ, Z. 50 2:52 | |
| Composed by Henry Purcell | ||
| Performed by Baroque Brass of London, Jonathan Brown, William Carter, Clare College Choir, Cambridge, Jennifer Ward Clarke, Andrew Manze, Marshall Marcus, Jan Schlapp and Liz Kenny | ||
| Conducted by Rolf Schweizer | ||
| 33. | Hear my prayer, O Lord, anthem for chorus, violins & continuo, Z. 15 (unfinished) 2:03 | |
| Composed by Henry Purcell | ||
| Performed by Baroque Brass of London, Jonathan Brown, William Carter, Clare College Choir, Cambridge, Jennifer Ward Clarke, Andrew Manze, Marshall Marcus, Jan Schlapp and Liz Kenny | ||
| Conducted by Rolf Schweizer | ||
| 34. | Funeral Sentences (for the funeral of Queen Mary), Z. 27 14:43 | |
| Composed by Henry Purcell | ||
| Performed by Baroque Brass of London, Jonathan Brown, William Carter, Clare College Choir, Cambridge, Jennifer Ward Clarke, Andrew Manze, Marshall Marcus, Jan Schlapp and Liz Kenny | ||
| Conducted by Rolf Schweizer | ||
| 35. | Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589 27:33 | |
| Composed by Antonio Vivaldi | ||
| Performed by Alison Browner, Gillian Fisher, Michael George, Orchestra of the Sixteen, Ian Partridge, Lynda Russell, The Sixteen and Caroline Trevor | ||
| Conducted by Harry Christophers | ||
| 36. | Stabat Mater 17:16 | |
| Composed by Antonio Caldara | ||
| Performed by Alison Browner, Gillian Fisher, Michael George, Orchestra of the Sixteen, Ian Partridge, Lynda Russell, The Sixteen and Caroline Trevor | ||
| Conducted by Harry Christophers | ||
| 37. | Magnificat in D major, BWV 243 27:18 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Alison Browner, Gillian Fisher, Michael George, Orchestra of the Sixteen, Ian Partridge, Lynda Russell, The Sixteen and Caroline Trevor | ||
| Conducted by Harry Christophers | ||
| 38. | Mass in B minor, BWV 232 1:46:15 | |
| Composed by Johann Sebastian Bach | ||
| Performed by John Mark Ainsley, James Bowman, Catherine Denley, Catherine Dubosc, Michael George, Orchestra of the Sixteen and The Sixteen | ||
| Conducted by Harry Christophers | ||
| 39. | Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a) 52:52 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Alison Browner, Reinhard Hagen, Uwe Heilmann, Ruth Ziesak and Orchester der Ludwigsburger Festspiele | ||
| Conducted by Wolfgang Gonnenwein | ||
| 40. | Mass for soloists, chorus, organ & orchestra in B flat major ("Harmoniemesse"), H. 22/14 43:41 | |
| Composed by Franz Joseph Haydn | ||
| Performed by Corrie Pronk, Netherlands Bach Society Orchestra, Maja Roodveldt, Netherlands Bach Society Chorus and Andreas Gisler | ||
| Conducted by Krijn Koetsveld | ||
| 41. | Mass for soloists, chorus, orchestra & organ in B flat major, D. 324 (Op. posth. 141) 31:52 | |
| Composed by Franz Schubert | ||
| Performed by Christiana Baumann, Ruth Binder, SWR Baden-Baden and Freiburg Symphony Orchestra and Freiburger Domsingknaben | ||
| 42. | Magnificat for soloists, chorus, orchestra & organ in C major, D. 486 9:31 | |
| Composed by Franz Schubert | ||
| Performed by Christiana Baumann, Ruth Binder, SWR Baden-Baden and Freiburg Symphony Orchestra and Freiburger Domsingknaben | ||
| 43. | Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58) 1:28:11 | |
| Composed by Antonin Dvorák | ||
| Performed by Peter Dvorsky, Magdalena Hajossyova, Richard Novak, Slovak Philharmonic Choir, Slovak Philharmonic Orchestra and Vera Soukupova | ||
| Conducted by Zdenek Kosler | ||
| 44. | Mass No.5, for chorus & orchestra in D minor 1:18:34 | |
| Composed by Luigi Cherubini | ||
| Performed by Justino Diaz, Maureen Forrester, George Shirley, Lou Ann Lee, Richard Shadley and Patricia Wells | ||
| Conducted by Newell Jenkins | ||
| 45. | Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45 1:10:16 | |
| Composed by Johannes Brahms | ||
| Performed by Berlin Radio Symphony Orchestra, Gunther Leib and Anna Tomowa-Sintow | ||
| Conducted by Helmut Koch | ||
| 46. | Requiem (3 versions), for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. 9 37:13 | |
| Composed by Maurice Duruflé | ||
| Performed by Choir of New College, Oxford and Capricorn | ||
| 47. | Magnificat Antiphones (7), for chorus 14:30 | |
| Composed by Arvo Pärt | ||
| Performed by Cappella Breda | ||
| 48. | Missa sillabica, for chorus 9:43 | |
| Composed by Arvo Pärt | ||
| Performed by Cappella Breda and Ensemble Calefax | ||
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