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Gram Parsons is the practical and spiritual godfather of country-rock music. Sacred Hearts and Fallen Angels, the first collection to compile songs from the various stages of Parsons' short but remarkably productive career, offers a road map to his musical vision -- a hybrid that helped shape the sounds of the Eagles, Emmylou Harris, Lucinda Williams, Steve Earle, and others. The two-CD set begins with six International Submarine Band songs, five from their one studio album, Safe at Home, plus a previously unheard, live-to-four-track recording of "Knee Deep in the Blues," the collection's only otherwise unavailable song. Parsons's short stint with the Byrds produced the stellar album Sweetheart of the Rodeo, which included the reflective ballad "Hickory Wind" and a cover of the Louvin Brothers' gospel number "The Christian Life" (the rehearsal recording that appears here has Parsons on lead vocals, whereas the album version had Roger McGuinn). With the Flying Burrito Brothers -- which he formed with Byrdsman Chris Hillman -- Parsons further explored the fusion he dubbed "cosmic American music," leaving The Gilded Palace of Sin as its blueprint. Parsons' vocals now oozed soul on the biting "Sin City," the melancholy "Hot Burrito #1," and the rousing but aching "Hot Burrito #2." The Burritos' only other studio album, Burrito Deluxe, is represented here by four tracks, including the Byrds-y, harmony-driven single "Cody, Cody" and their take on the Stones' country-inspired tune "Wild Horses." Two additional Burrito cuts, covers of Merle Haggard's "Sing Me Back Home" and the Bee Gees' "To Love Somebody," may have been recorded on a lark, but they sound resonant today. For the rest of his short-lived career -- he died of an overdose in 1973, at the age of 26 -- Parsons went solo, generating two landmark albums, GP and Grievous Angel. He drafted into his band a young singer named Emmylou Harris, and the pair's harmonies on the twangy "We'll Sweep out the Ashes in the Morning," the easy-feelin' "The New Soft Shoe," "Hearts on Fire," the heartbreaking "$1000 Wedding," and "Love Hurts" are among country's most gorgeous. Add to that Parsons' solo turns on "She" and "Brass Buttons," and his legacy as a top-notch soul singer is sealed. Sacred Hearts is fleshed out by three songs lifted from a live radio broadcast in 1973 (the entire session is available as Live 1973). Though musically it offers only one new nugget to collectors, Sacred Hearts and Fallen Angels is nicely packaged, with extensive liner notes, track-by-track commentary (with input from Hillman and McGuinn), rare photos, and personal essays by Harris and Chris Robinson of the Black Crowes. It's a can't-miss introduction to a major American talent. Lydia Vanderloo, Barnes & Noble