Sacred Concerti |
| 1.
| Siehe, wie fein und lieblich ist, motet for 2 sopranos, alto, tenor, bass, 2 violins, bassoon & continuo, SWV 412 (Op. 12/15) 6:58
|
| Composed by Heinrich Schütz |
| Performed by Susan Addison,
Emily van Evera,
Nancy Hadden,
Ian Honeyman,
Catherine Mackintosh,
Elizabeth Walker,
Elizabeth Walker,
Richard Wistreich,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris,
Lucas Harris and Esther Levin |
| 2.
| O Gott wir danken deiner Güt, for organ 2:55
|
| Composed by Heinrich Scheidemann |
| Performed by Robert Howarth |
| 3.
| Siehe, das ist mein Knecht, cantata for tenor, 2 instruments & continuo (Opella nova, Part 2, No. 1) 6:17
|
| Composed by Johann Hermann Schein |
| Performed by Susan Addison,
Nancy Hadden,
Catherine Mackintosh,
Julian Podger,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 4.
| Kommet herr zu mir, motet 5:32
|
| Composed by Tobias Michael |
| Performed by Susan Addison,
Emily van Evera,
Nancy Hadden,
Catherine Mackintosh,
Julian Podger,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 5.
| Uns ist ein Kind geboren, cantata for tenor, 3 instruments & continuo (Opella nova, Part 2, No. 4) 4:56
|
| Composed by Johann Hermann Schein |
| Performed by Susan Addison,
Nancy Hadden,
Ian Honeyman,
Catherine Mackintosh,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 6.
| Preludium No. 1 "ad notam F fa ut" for lute 1:31
|
| Composed by Matthäus Reymann |
| Performed by Lucas Harris |
| 7.
| Das ist ein kostlich Ding, motet 3:01
|
| Composed by Tobias Michael |
| Performed by Susan Addison,
Emily van Evera,
Nancy Hadden,
Catherine Mackintosh,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 8.
| Fantasia for lute 2:58
|
| Composed by Matthäus Reymann |
| Performed by Lucas Harris |
| 9.
| Anima mea liquefacta est, motet for 2 tenors, 2 flutes or cornets & continuo, SWV 263-264 (Op. 6/7-8) 8:29
|
| Composed by Heinrich Schütz |
| Performed by Susan Addison,
Nancy Hadden,
Ian Honeyman,
Catherine Mackintosh,
Julian Podger,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 10.
| Wie lieblich sind auff den Bergen, motet 8:06
|
| Composed by Tobias Michael |
| Performed by Susan Addison,
Emily van Evera,
Nancy Hadden,
Catherine Mackintosh,
Julian Podger,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 11.
| O Maria, gebenedeiet bist du unter den Weibern, cantata for tenor, 2 instruments & continuo (Opella nova, Part 2, No. 27) 5:26
|
| Composed by Johann Hermann Schein |
| Performed by Susan Addison,
Nancy Hadden,
Ian Honeyman,
Catherine Mackintosh,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 12.
| Gott schweige doch nicht also, motet 4:46
|
| Composed by Tobias Michael |
| Performed by Susan Addison,
Emily van Evera,
Nancy Hadden,
Catherine Mackintosh,
Elizabeth Walker,
Elizabeth Walker,
Richard Wistreich,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris,
Lucas Harris and Esther Levin |
| 13.
| Also heilig ist der Tag, hymn for 4 voices (& continuo) (Cantional...) 5:02
|
| Composed by Johann Hermann Schein |
| Performed by Susan Addison,
Nancy Hadden,
Catherine Mackintosh,
Julian Podger,
Elizabeth Walker,
Elizabeth Walker,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris and Lucas Harris |
| 14.
| Herzlich lieb hab ich dich, o Herr, for organ 2:26
|
| Composed by Heinrich Scheidemann |
| Performed by Robert Howarth |
| 15.
| Wo der Herr nicht das Haus bawet, motet 7:02
|
| Composed by Tobias Michael |
| Performed by Susan Addison,
Emily van Evera,
Nancy Hadden,
Ian Honeyman,
Catherine Mackintosh,
Elizabeth Walker,
Elizabeth Walker,
Richard Wistreich,
Circa 1500,
Sally Holman,
Emily White,
Lucas Harris,
Lucas Harris and Esther Levin |
© 2009 All Media Guide, LLC
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