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Romantic Adagios | ||
| 1. | Adagio for strings (arr. from 2nd mvt. of String Quartet), for string quartet/string orchestra), Op. 11 8:45 | |
| Composed by Samuel Barber | ||
| Performed by Baltimore Symphony Orchestra | ||
| Conducted by David Zinman | ||
| 2. | Méditation (from opera "Thäis"), violin & orchestra version and various arrangements 5:43 | |
| Composed by Jules Massenet | ||
| Conducted by Richard Bonynge | ||
| Performed by Nigel Kennedy and Nation Philharmonic Orchestra | ||
| 3. | Piano Concerto No. 2 in C minor, Op. 18: Adagio Sostenuto 11:31 | |
| Composed by Sergey Rachmaninov | ||
| Conducted by Vladimir Ashkenazy | ||
| Performed by Cleveland Orchestra and Jean-Yves Thibaudet | ||
| 4. | Gymnopédies (3), for piano, complete (also orchestrated by Debussy): 1 & 3 6:29 | |
| Composed by Erik Satie | ||
| Conducted by Charles Dutoit | ||
| Performed by Montreal Symphony Orchestra | ||
| 5. | Clarinet Concerto in A major, K. 622: Adagio 7:21 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Cleveland Orchestra and Franklin Cohen | ||
| Conducted by Christoph von Dohnányi | ||
| 6. | Spartacus, ballet in 4 acts: Adagio of Spartacus and Phrygia 9:11 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by Vienna Philharmonic Orchestra | ||
View all tracks on this disc | ||
A double meaning is at play in the title of Romantic Adagios, a collection of pieces from the Romantic era that are long on candlelight-dinner sentiment as well. The languid, dreamy slow movement became most ardently romantic during the 19th century, as this two-CD compilation proves. Favorite adagios by composers from Beethoven and Mozart to Rachmaninoff, Tchaikovsky, and Dvorák will quench any listener's thirst for yearning melodies, expressive harmonies, and relaxing tempos. There won't be any complaints about the performances either: The 21 selections drawn from the Decca archives feature soloists such as Jean-Yves Thibaudet, Nigel Kennedy, Vladimir Ashkenazy, and Kyung-Wha Chung, all of whom are at their best in this sentimental repertoire. A compilation like this wouldn't be complete without Barber's "Adagio for Strings" or the "Concierto de Aranjuez" of Rodrigo, but you'll also discover Shostakovich, Mahler, and Khachaturian in their most tenderly lyrical moments. By the time Fauré's gentle "Pavane" concludes the second disc, even the most hardened cynic will have succumbed to the blissful mood of serenity that only a romantic adagio can provide. Scott Paulin, Barnes & Noble