Barnes & Noble
Jazz musicians hail from all points of the globe these days, and it's no longer exotic to hear improvisers converse fluently and idiomatically in more than one musical language. A shining example of this multilingual movement is the singer Claudia Acuña, who on Rhythm of Life, her strong sophomore effort for Verve, refines her special jazz-Latin hybrid on a nicely balanced program that covers both the Anglo-American songbook ("My Romance," "I Fall in Love Too Easily," "Nature Boy," "More than You Know") and its Hispanic counterpart ("Ay, Mariposa," "Volver a los Diecisiete," "María, María"). Producer Billy Childs and Acuña's working pianist, Jason Lindner, offer arrangements that cloak Acuña's ethereal-earthy voice -- bursting with passions barely tethered -- like a couture gown. The supporting cast is none too shabby; bassist Dave Holland and drummers Jeff Watts and Luisito Quintero articulate the grooves with inexorable pulse and loose precision, while Holland, Lindner, guitarist Romero Lubambo, and trombonist Avi Lebovich contribute pithy solos that elaborate upon Acuña's stories. A communicative, artful recital. Ted Panken
All Music Guide
Within three years of her initial recording debut as a leader on Wind From the South, vocalist, composer, and arranger Claudia Acuña now commands sufficient respect to produce her second release for a major label, and it's a provocative study, secure in its delicate but powerful Latin jazz relationship. On Rhythm of Life, Acuña virtually has the style mastered and offers a solid, comprehensive, up-to-date exploration of ballads, up-tempo burners, Latin folk, and jazz compositions in English and Spanish. Co-produced by Billy Childs, who also plays piano on four tracks, as well as her longtime friend and pianist Jason Lindner, Claudia Acuña re-styles such great songs as "My Romance," "A Child Is Born," "I Fall in Love Too Easily," and "More Than You Know." Designed to reflect her creativity and original interpretations of standards from the Great American Songbook, she brings each song full circle beautifully, seductively, and in a well-balanced style. "Volver a los Diecisiete," a Chilean song written by Violetta Parra, and Milton Nascimento's "Maria Maria" offer traditional spice to this great set that also features Avi Leibovich playing an awesome flute and trombone. He offers an excellent caliber of jazz improvisations throughout, but is especially emphatic on "Nature Boy." Acuña's nearly six-minute rendition is performed to perfection, opening slowly with her rich trademarked elongations, phrasings, and nuance that rise and fall against Lindner's priceless chords that ebb and flow in a beautiful succession of lush crescendos. Jason Lindner's poetic complements are without equal. The song culminates in a fiery calypso, with vocals supplied by the ensemble. Excellent rhythmic changes in this arrangement make this song a pick. With the addition of Billy Childs, a string quartet, and master bassist Dave Holland, Acuña has elevated her sound into another direction,but the keynote of success is still her delicate, sensitive, beautiful vocal artistry. Paula Edelstein
52nd St. Jazz
The Chilean-born Acuña is not only a blast of fresh air in this artificial climate, but she brings a welcome Latin fire to a too-predictable scene.