Return to the Grand Canyon

1	Return to Grand Canyon 5:02
2	Flight of the Condor 4:23
3	Kaibab Forest 4:53
4	Havasu Falls 4:06
5	Daybreak at Timp Point 4:30
6	Horseshoes Mesa 4:54
7	The Greatest Wonder 4:19
8	The Crossing 3:38
9	Navajo Story 4:38
10	Cottonwood Camp 4:30
11	Angel's Window 5:06

Barnes & Noble

This is Nicholas Gunn's second "Grand Canyon Suite." Rather than portray the explosive rainstorms, radiant dawns, and braying donkeys of Ferde Grofé's orchestral classic, the multi-instrumentalist portrays the warmth of the rocks, the dramatic wildlife, and the area's Native American and Spanish heritage, creating his own, very personal impressions of the expansive vistas. Many of the melodies take on the warm patina of Gunn's flutes, played in both the Western and the Native American styles. Native American culture is aptly represented with chants, rattles, and the sounds of village life. The drums are frequent reminders of this heritage, but they are also used to pace the music, sometimes representing rushing water (in "The Crossing") and other natural elements. "The Greatest Wonder" is a passionate Spanish song about feeling the power of the canyon's tranquility and spirit, sung by Peter Marmentini. Cellist Sachi Patitucci offers many moving and lyrical moments on "Cottonwood Camp" and "Angel's Window," a loving anthem for this magnificent wilderness. Partial proceeds from artist sales of this recording will be donated to the preservation of the Grand Canyon. Carol Wright

All Music Guide

Anyone who has been to the Grand Canyon knows that no words, painting, or music can perfectly capture the experience. And yet the talented composer/flutist/synthesist, who began his extremely successful new age career in 1993 contemplating an Afternoon in Sedona, does his best to convey his own heartfelt experiences. Wonderfully mixing his melodic flute musings, gentle synth weavings and orchestrations, and very authentic Native American percussion, he scored big on Real Music with The Music of the Grand Canyon. One gets the idea, though, that this project wasn't just created as a commercial boost to launch his association with a new label. It's clear from the love and care that he, his keyboardist wife Cheryl, and guests like violinist Karen Briggs put into this travelogue that the canyon is a place that speaks to his deepest soul. He begins the title track with soaring, gentle synth strings over a subtle, building percussion bed and live soundscape recordings of the region, then eases in a soaring flute line whose lightness creates a contrast with the more ominous tones of the drums. The best tracks are "Flight of the Condor," which weaves flute, percussion, and the intense, powerful energy of Briggs' violin, and "Havasu Falls," which begins with a recording of the falls themselves, then ventures into a lively tune featuring a hypnotic and spirited swirling dance between flute and piano. It's well worth this return visit, and it's a great listen for both nature lovers who have been there, and those who haven't but need assistance as they imagine one of the planet's most amazing natural works of art. ~ Jonathan Widran, All Music Guide