Retrospective, Vol. 1: Standards Emily Remler

BUY THIS ITEM

  • $11.99 List price
    $9.29 Online price
    (Save 22%)
    $8.36 Member price
  • skip to cart
  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=013431445326&productCode=MU&maxCount=100&threshold=3

GET FREE SHIPPING ON ORDERS OF $25 OR MORE

DELIVERY & GIFT DETAILS:

Usually ships within 24 hours

Get It There On Time
Holiday Delivery Schedule

Delivery Time and Shipping Rates

Eligible for gift wrap & gift message.

CD

  • Release Date: 07/01/1991
  • Sales Rank: 19,214
  • Label: CONCORD RECORDS
  • UPC: 013431445326

Customers who bought this also bought

 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
To listen to samples you'll need a Windows Media Player

Retrospective, Vol. 1: Standards

1LISTENDaahoud 5:16
2LISTENHow Insensitive 8:27
3LISTENStrollin' 5:28
4LISTENHot House 5:41
5LISTENIn Your Own Sweet Way 4:51
6LISTENJoy Spring 5:44
7LISTENSoftly, as in a Morning Sunrise 8:11
8LISTENAfro Blue 2:22
9LISTENDel Sasser 6:44
10LISTENIn a Sentimental Mood 7:47

About this Artist

Editorial Reviews

This is the first of two CDs issued by Concord Jazz compiling some of the best tracks from Emily Remler's sessions for that label. Cut short at a far too early age by a heart condition while touring in Australia, Remler had all the talent necessary to carve herself a niche in the jazz world as a premier jazz guitar interpreter and performer. Retrospective, Vol. 1 is probably the superior of the two volumes, as it includes, among other gems, an enticing unaccompanied rendition of "Afro Blue." Remler had the ability to be expressively warm with a romantic ballad, as on "In a Sentimental Mood," but she excelled on tunes that allowed her to bring out her hard bop credentials, especially in the company of similarly tough-minded rhythm sections. She displays those credentials on several tracks, such as "Hot House" and "Daahoud," where she is joined by the inestimable Hank Jones on piano and Marvin "Smitty" Smith on drums. "Del Sasser" is the sole representative from that intriguing album she made with trumpet player John D'Earth. On this cut, D'earth plays muted trumpet under a clean, straight-lined Remler guitar with a rather unusual scrimpy, but pleasing, sound as the result. Indeed an appropriate testimonial to a fine guitarist, this album is recommended for those who want an overview of the work by Remler without having to buy all the albums from whence the selections came. Dave Nathan, All Music Guide

Customer Reviews

  • Listener Rating:
Be the first to write a review!