Powaqqatsi Philip Glass

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CD

  • Release Date: 10/25/1990
  • Original Release: 1988
  • Sales Rank: 27,154
  • Label: NONESUCH
  • UPC: 075597919226

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Powaqqatsi

1LISTENSerra Pelada 5:02
2The Title 0:23
3LISTENAnthem, Pt. 1 6:22
4LISTENThat Place 4:41
5LISTENAnthem, Pt. 2 3:48
6LISTENMosque and Temple 4:42
7LISTENAnthem, Pt. 3 8:11
8LISTENTrain to São Paulo 3:04
9LISTENVideo Dream 2:14
10LISTENNew Cities in Ancient Lands, China 2:47
11LISTENNew Cities in Ancient Lands, Africa 2:56
12LISTENNew Cities in Ancient Lands, India 4:42
13LISTENThe Unutterable 7:02
14LISTENCAUGHT! 7:20
15LISTENMr. Suso #1 1:08
16LISTENFrom Egypt 3:23
17LISTENMr. Suso #2 with Reflection 1:18
18LISTENPowaqqatsi 4:35

About this Artist

Editorial Reviews

In 2002, Philip Glass toured in support of the four-disc set Glass on Film, culled from his movie scores. It was good to see that the Philip Glass Ensemble performed the long-underrated Powaqqatsi among his other collaborations with filmmaker Godfrey Reggio, because those electric keyboard works have outlasted the symphonic stuff. Back in the '80s, Glass didn't seem to think so. He aimed to become the thinking filmmaker's response to John Williams by turning his minimalist background to astringent, stately symphonic movie scores for Mishima, Hamburger Hill, and The Thin Blue Line. It's understandable how Powaqqatsi's music was overlooked: The synthesizers and the orchestra and booming percussion were uncomfortably cluttered and showbizzy. Even today, Powaqqatsi's "Anthem" sounds like a naked attempt at an instrumental hit like Vangelis' theme for Chariots of Fire. On the other hand, the melodic and textural similarities of the symphonic scores, plus the snatches cribbed from them for other movies, have deadened their appeal. Powaqqatsi is straight-up loud. Instead of Koyanisqqatsi's somber organ prelude (as in a Baptist service), "Serra Pelada" provides the mightiest track in Glass' career: a gamelan ensemble marching with a drum-and-bugle corp behind the voices of the Latin American Children's Ensemble (set off with a coach's whistle). Almost everywhere, the synthesizers and orchestra work and play together, while the tunes are actually memorable on their own. The three-part "New Cities in Ancient Lands," set in China, Africa, and India, features woodwinds and keyboards from the Philip Glass Ensemble, with kalimbas and balafons strewn among the orchestra. "Video Dream" is simple lyricism, like the English horn that unrolls the Arabic melody of "That Place." The ponderous "Caught" and two of the three "Anthem" reprises are mere clutter, but somehow Glass makes room for everything, even Foday Musa Suso's kora and vocals on "Mr. Suso #1" and "Mr. Suso #2 With Reflection." It adds up for a bright world music symphony. John Young, All Music Guide

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