Enter a zip code
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
He may be best known as a jazz keyboardist and as one of Miles Davis's storied sidemen, but Herbie Hancock's wanderlust has found him frequently crossing over to the world of popular music, from his 1983 Grammy-winning smash "Rock It" to his dip into the Great American Songbook on 1995's The New Standard. With Possibilities, Hancock casts his musical net even wider, collaborating with an unusual cross-section of pop artists. For example, Christina Aguilera notably transcends her bubblegum roots by cutting loose on Leon Russell's "A Song for You" in a manner befitting her idol Etta James, while John Mayer posits some raspy vocal phrasing on "Stitched Up," which, when paired with Hancock's jazz-funk sound, recalls vintage Steely Dan. Other noteworthy performances include Carlos Santana's fiery guitar playing and Angélique Kidjo's robust vocalizing over a saucy Latin shuffle on "Safiatou," which reverberates with the spirit of the late Celia Cruz. Hancock's otherwise unobtrusive presence edges to the fore on certain cuts, particularly Annie Lennox's aching rendition of Paula Cole's "Hush Hush Hush," where the skilled pianist's playing shifts from uplifting to subdued amid the faintest hint of strings. Likewise, Hancock's playing lends a melancholy ambiance to a version of Billie Holiday's "Don't Explain," presented as a smoky duet by Damien Rice and Lisa Hannigan. Most intriguing is a lush and significantly slowed down reading of Stevie Wonder's "I Just Called to Say I Love You," on which Raul Midón croons atop a gradually unfurling blanket of orchestration. Even in his golden years, Herbie Hancock is still challenging creative boundaries -- and transcending categorization. Dave Gil de Rubio, Barnes & Noble