Passing Ships Andrew Hill

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CD - Remastered

  • Release Date: 10/07/2003
  • Original Release: 1969
  • Sales Rank: 70,211
  • Label: BLUE NOTE RECORDS
  • UPC: 724359041728
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
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Passing Ships

1LISTENSideways previously unreleased 4:09
2LISTENPassing Ships previously unreleased 7:08
3LISTENPlantation Bag previously unreleased 8:32
4LISTENNoon Tide previously unreleased 9:49
5LISTENThe Brown Queen previously unreleased 6:22
6LISTENCascade previously unreleased 6:27
7LISTENYesterday's Tomorrow previously unreleased 5:11

About this Artist

Editorial Reviews

Now this is more like it. In its Connoisseur Series, Blue Note is making available a completely unreleased Andrew Hill date from 1969. Passing Ships wasn't even included in the Mosaic box because the master tape wasn't found until 2001. The band Hill employed on this session was a nonet, featuring Woody Shaw and Dizzy Reece on trumpets, Joe Farrell on reeds, woodwinds, and English horn, Howard Johnson on tuba and bass clarinet, Ron Carter on bass, Lenny White (on only his second recording date) playing drums, trombonist Julian Priester, and French horn player Bob Northern. The music here is ambitious. Hill's scoring for one reed, two trumpets, and low brass is remarkable for the time. In fact, it isn't until his big-band album of 2002 that he ever ventured into these waters again. The title cut, with its bass clarinet and English horn counterpoint, is almost classical in structure but nearly Malian in melody. While the cut's dynamics are restrained, its color palette -- especially with the lilting muted trumpets playing a mysterious harmonic line -- is flush and royal. "Plantation Bag" is a showcase for Farrell's tough, grooved-out soloing as he blows blue and free in response to Hill's funky, large-spread chord voicings. The trumpets layer one another in the middle of the tune, alternately soloing and punching comp lines through the middle. The Asian melodic figures at the heart of "Noon Tide" add exoticism to one of the most adventurous tunes ever written by Hill. Rhythmically it turns on pulse rhythms that shift and slide methodically as Priester takes the tune's first solo, playing against Hill's left-hand stridency. Of the remaining three selections, "Cascade," with its staggered harmonic architecture that goes against all common wisdom for big-band harmony, is remarkable for its precision and rhythmic invention. Why this isn't going to be out there for the general public for all time is beyond reason. Why punish the artist that way? Conventional wisdom would suggest that something that has been unearthed for the first time in 34 years deserves to be a part of the general catalog. Get it quick. Thom Jurek, All Music Guide

Customer Reviews

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Passing Shipsby Anonymous

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October 17, 2003: This previously unreleased 1969 session from Andrew Hill provides another chapter from his years with Blue Note, particularly his slightly more 'accessible' period from 1967-1970. (Note: This session was NOT included in the Hill 'Mosaic' box set, and has never been released before, in any format.) Features a larger ensemble that included Woody Shaw(!!) and Dizzy Reece on trumpets; Joe Farrell primarily on tenor sax (though he doubles on bass clarinet, alto flute, English horn, and soprano sax); and Julian Priester on trombone. They (along with Hill) are the primary soloists, but the group is also augmented by French horn, tuba, acoustic bass (Ron Carter), and drums (Lenny White) -- making this truly a small 'big band' kind of date. Easily one of Hill's most approachable recordings (and somewhat similar to his early "Grass Roots" release from 1968), "Passing Ships" is one of Hill's strongest musical statements from the 1960's. Highly recommended, both for fans of his earlier, arguably more 'complex' music – as well as for fans of late 60's "soul jazz" recordings in general. This is music that will get your foot tappin', and will also make you think.