Disc
1 |
| 1 |  Caro mio ben, for voice & |
| 2 | Amarilli mia bella, for v |
| 3 | Ragion sempre addita |
| 4 | Sen corre l'agnelletta |
| 5 | Orontea, opera in a prolo |
| 6 | Pur dicesti, o bocco bell |
| 7 | Work(s): Spesso vibra per |
| 8 | Come raggio del sol, for |
| 9 | L'honestà negli amori, op |
| 10 | Deh più a me non v'ascond |
| 11 | Danza, Danza, Fanciulla G |
| 12 | Sento nel core certo dolo |
| 13 | Sebben crudele me fai lan |
| 14 | Selve amiche |
| 15 | Lo frate 'nnamorato, musi |
| 16 | Plaisir d'amour, for voic |
| 17 | Le faux Lord: O notte, o |
| 18 | La Molinara, opera: Nel c |
| 19 | La Calisto, opera: Ardo, |
| 20 | La Calisto, opera: Ascend |
|
Disc
2 |
| 1 | La Lucrezia (O Numi Etern |
| 2 | La Lucrezia (O Numi Etern |
| 3 | La Lucrezia (O Numi Etern |
| 4 | La Lucrezia (O Numi Etern |
| 5 | La Lucrezia (O Numi Etern |
| 6 | La Lucrezia (O Numi Etern |
| 7 | La Lucrezia (O Numi Etern |
| 8 | La Lucrezia (O Numi Etern |
| 9 | La Lucrezia (O Numi Etern |
| 10 | Rodelinda, regina de' Lan |
| 11 | Serse (Xerxes), opera, HW |
| 12 | Hercules, oratorio, HWV 6 |
| 13 | Atalanta, opera, HWV 35: |
| 14 | Joshua, oratorio, HWV 64: |
| 15 | Ariodante, opera, HWV 33: |
| 16 | Ariodante, opera, HWV 33: |
| 17 | Ariodante, opera, HWV 33: |
| 18 | Cantata No. 170, "Vergnüg |
| 19 | Dido and Aeneas, opera, Z |
|
Disc
3 |
| 1 | Arianna a Naxos ("Teseo m |
| 2 | Bernice che fai, cantata, |
| 3 | La Clemenza di Tito, oper |
| 4 | La Clemenza di Tito, oper |
| 5 | Così fan tutte, opera, K. |
| 6 | Ständchen ("Zögernd, leis |
| 7 | Lazarus, cantata for solo |
| 8 | Ah! perfido! . . . Per pi |
|
Disc
4 |
| 1 | Hippolyte et Aricie, trag |
| 2 | Hippolyte et Aricie, trag |
| 3 | Orfeo ed Euridice (Italia |
| 4 | Orfeo ed Euridice (Italia |
| 5 | Alceste (Italian version) |
| 6 | La Mort de Cléopâtre, for |
| 7 | La Mort de Cléopâtre, for |
| 8 | La Mort de Cléopâtre, for |
| 9 | La Mort de Cléopâtre, for |
| 10 | La Mort de Cléopâtre, for |
| 11 | Herminie, cantata ("scène |
| 12 | Herminie, cantata ("scène |
| 13 | Herminie, cantata ("scène |
| 14 | Herminie, cantata ("scène |
| 15 | Herminie, cantata ("scène |
| 16 | Herminie, cantata ("scène |
| 17 | Herminie, cantata ("scène |
| 18 | Herminie, cantata ("scène |
| 19 | Béatrice et Bénédict, ope |
|
Disc
5 |
| 1 | Trois poèmes de Stéphane |
| 2 | Trois poèmes de Stéphane |
| 3 | Trois poèmes de Stéphane |
| 4 | Chansons madécasses, song |
| 5 | Chansons madécasses, song |
| 6 | Chansons madécasses, song |
| 7 | Chanson perpétuelle, for |
| 8 | Quatre poèmes hindous (Fo |
| 9 | Quatre poèmes hindous (Fo |
| 10 | Quatre poèmes hindous (Fo |
| 11 | Quatre poèmes hindous (Fo |
| 12 | The Rape of Lucretia, cha |
| 13 | The Rape of Lucretia, cha |
| 14 | Owen Wingrave, opera, Op. |
| 15 | Phaedra, dramatic cantata |
| 16 | Phaedra, dramatic cantata |
| 17 | Phaedra, dramatic cantata |
|
Original Masters: Janet Baker: Philips and Decca Recordings, 1961-1979 (Limited Edition) |
| 1.
| Caro Mio Ben for voice & piano (or orchestra) 2:45
|
| Composed by Giuseppe Giordani |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 2.
| Amarilli mia bella, for voice & continuo 3:34
|
| Composed by Giulio Caccini |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 3.
| Ragion sempre addita 1:33
|
| Composed by Alessandro Stradella |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 4.
| Sen corre l'agnelletta 3:23
|
| Composed by Domenico Natale Sarro |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 5.
| Orontea, opera in a prologue & 3 acts: Intorno all'idol mio 3:02
|
| Composed by Antonio Cesti |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 6.
| Pur Dicesti, O Bocco Bella 4:24
|
| Composed by Antonio Lotti |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 7.
| Work(s): Spesso vibra per suo gioco 1:20
|
| Composed by Alessandro Scarlatti |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 8.
| Come raggio del sol, for voice & keyboard (or orchestra) 2:44
|
| Composed by Antonio Caldara |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 9.
| L'honestà negli amori, opera: Già il sole dal Gange 1:41
|
| Composed by Alessandro Scarlatti |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 10.
| Deh più a me non v'ascondete 2:22
|
| Composed by Giovanni Bononcini |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| Additional Notes: arranged by Preston, Simon |
| 11.
| Danza, Danza, Fanciulla Gentile for voice & piano (or orchestra) 1:05
|
| Composed by Francesco Durante |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 12.
| Sento nel core certo dolore, chamber cantata for soprano or alto & continuo ("S'allontana per non innamorarsi;" "La lontananza") 4:04
|
| Composed by Alessandro Scarlatti |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 13.
| Sebben crudele me fai languir's 2:37
|
| Composed by Antonio Caldara |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 14.
| Selve amiche 2:29
|
| Composed by Antonio Caldara |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 15.
| Lo frate 'nnamorato, musical comedy in 3 acts: Act 1. Ogni pena più spietata 5:48
|
| Composed by Giovanni Pergolesi |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 16.
| Plaisir d'amour, for voice & piano (or orchestra) 3:43
|
| Composed by Jean-Paul-Gilles Martini (aka J.P. Schwarzendorf) |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 17.
| Le faux Lord: O notte, o dea del mistero 5:23
|
| Composed by Niccolò Piccinni |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 18.
| La Molinara, opera: Nel cor più non mi sento 1:39
|
| Composed by Giovanni Paisiello |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields,
Janet Baker,
Nicholas Kraemer,
Celia Nicklin,
Graham Sheen and James Tyler |
| 19.
| La Calisto, opera: Ardo, sospiro e piango 4:35
|
| Composed by Francesco Cavalli |
| Performed by Janet Baker and London Philharmonic Orchestra |
| Conducted by Raymond Leppard |
| 20.
| La Calisto, opera: Ascender qui ved'io 7:05
|
| Composed by Francesco Cavalli |
| Performed by Janet Baker,
James Bowman and London Philharmonic Orchestra |
| Conducted by Raymond Leppard |
| 21.
| La Lucrezia (O Numi Eterni), cantata for soprano & continuo, HWV 145 20:11
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 22.
| Rodelinda, regina de' Langobardi, opera, HWV 19: Pompe vane di morte!...Dove sei, amato bene? 6:48
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 23.
| Serse (Xerxes), opera, HWV 40: Frondi tenere e belle...Ombra mai fu 4:08
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 24.
| Hercules, oratorio, HWV 60: Where shall I fly! 6:45
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 25.
| Atalanta, opera, HWV 35: Care selve 2:48
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 26.
| Joshua, oratorio, HWV 64: Oh! had I Jubal's lyre 2:41
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 27.
| Ariodante, opera, HWV 33: Oh! Felice mio core!...Con l'ali di constanza 6:11
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 28.
| Ariodante, opera, HWV 33: E vivo ancora?...Scherza infida in grembo al drudo 8:14
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 29.
| Ariodante, opera, HWV 33: Dopo notte 7:03
|
| Composed by George Frideric Handel |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 30.
| Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust," BWV 170: Aria. Vergnügte Ruh', beliebte Seelenlust 7:03
|
| Composed by Johann Sebastian Bach |
| Conducted by Neville Marriner |
| Performed by Academy of St. Martin-in-the-Fields and Janet Baker |
| 31.
| Dido and Aeneas, opera, Z. 626: But death, alas!...When I am laid in earth...With 9:06
|
| Composed by Henry Purcell |
| Performed by Thurston Dart,
Janet Baker,
English Chamber Orchestra,
John McCarthy and St. Anthony Singers |
| Conducted by Anthony Lewis |
| 32.
| Arianna a Naxos ("Teseo mio ben"), cantata for soprano & keyboard, H. 26b/2 17:34
|
| Composed by Franz Joseph Haydn |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 33.
| Bernice che fai, cantata, H. 24a/10: Scena di Berenice 13:23
|
| Composed by Franz Joseph Haydn |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 34.
| La Clemenza di Tito, opera, K. 621: Deh se piacer mi vuoi...Chi ciecamente crede 5:39
|
| Composed by Wolfgang Amadeus Mozart |
| Conducted by Colin Davis |
| Performed by Janet Baker and Royal Opera House Covent Garden Chorus and Orchestra |
| 35.
| La Clemenza di Tito, opera, K. 621: Non più di fiori...Infelice! qual orrore! 7:43
|
| Composed by Wolfgang Amadeus Mozart |
| Conducted by Colin Davis |
| Performed by Janet Baker and Royal Opera House Covent Garden Chorus and Orchestra |
| 36.
| Così fan tutte, opera, K. 588: Ah, scostati!...Smanie implacabili 3:37
|
| Composed by Wolfgang Amadeus Mozart |
| Conducted by Colin Davis |
| Performed by Janet Baker and Royal Opera House Covent Garden Chorus and Orchestra |
| 37.
| Ständchen ("Zögernd, leise"), for alto, chorus & piano ("Notturno"), D. 920 (Op. posth. 135) 5:33
|
| Composed by Franz Schubert |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 38.
| Lazarus, cantata for soloists, chorus & orchestra (Die Feier der Auferstehung) (fragment), D. 689: Aria. So schlummert auf Rosen 11:37
|
| Composed by Franz Schubert |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 39.
| Ah! perfido! . . . Per pieta, non dirmi addio, scena and aria for soprano & orchestra, Op. 65 13:46
|
| Composed by Ludwig van Beethoven |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 40.
| Hippolyte et Aricie, tragédie lyrique: Cruelle mère des amours 6:16
|
| Composed by Jean-Philippe Rameau |
| Performed by Thurston Dart,
Janet Baker,
English Chamber Orchestra,
John McCarthy and St. Anthony Singers |
| Conducted by Anthony Lewis |
| 41.
| Hippolyte et Aricie, tragédie lyrique: Quelle plainte en ces lieux m'appelle? 5:00
|
| Composed by Jean-Philippe Rameau |
| Performed by Thurston Dart,
Janet Baker,
English Chamber Orchestra,
John McCarthy and St. Anthony Singers |
| Conducted by Anthony Lewis |
| 42.
| Orfeo ed Euridice, (Italian version), opera in 3 acts, Wq. 30: Che farò senza Euridice? 3:45
|
| Composed by Christoph Willibald Gluck |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 43.
| Orfeo ed Euridice, (Italian version), opera in 3 acts, Wq. 30: Che puro ciel, che chiaro sol 5:45
|
| Composed by Christoph Willibald Gluck |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 44.
| Alceste (Italian version), opera, in 3 acts, Wq. 37: Divinités du Styx 5:26
|
| Composed by Christoph Willibald Gluck |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Raymond Leppard |
| 45.
| La Mort de Cléopâtre, for soprano & orchestra, H.36 20:49
|
| Composed by Hector Berlioz |
| Conducted by Colin Davis |
| Performed by Janet Baker and London Symphony Orchestra |
| 46.
| Herminie, cantata for soprano & orchestra, ("scène lyrique") H. 29 22:51
|
| Composed by Hector Berlioz |
| Conducted by Colin Davis |
| Performed by Janet Baker and London Symphony Orchestra |
| 47.
| Béatrice et Bénédict, opera, H. 138: Non! Que viens-je d'entendre?...Il m'en souvient.. 9:55
|
| Composed by Hector Berlioz |
| Conducted by Colin Davis |
| Performed by Janet Baker and London Symphony Orchestra |
| 48.
| Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano) 12:01
|
| Composed by Maurice Ravel |
| Performed by Janet Baker and Melos Ensemble of London |
| Conducted by Bernard Keefe |
| 49.
| Chansons madécasses, song cycle for soprano voice, flute, cello & piano 14:02
|
| Composed by Maurice Ravel |
| Performed by Janet Baker and Melos Ensemble of London |
| 50.
| Chanson perpétuelle, for soprano & orchestra (or piano quintet), Op. 37 6:57
|
| Composed by Ernest Chausson |
| Performed by Janet Baker and Melos Ensemble of London |
| 51.
| Poems Hindous (4) for soprano & ensemble 9:30
|
| Composed by Maurice Delage |
| Performed by Janet Baker and Melos Ensemble of London |
| Conducted by Bernard Keefe |
| 52.
| The Rape of Lucretia, chamber opera, Op. 37: Lucretia! Lucretia!... 2:58
|
| Composed by Benjamin Britten |
| Conducted by Benjamin Britten |
| Performed by Janet Baker,
English Chamber Orchestra and John Shirley-Quirk |
| 53.
| The Rape of Lucretia, chamber opera, Op. 37: Last night Tarquinus ravished me 3:36
|
| Composed by Benjamin Britten |
| Conducted by Benjamin Britten |
| Performed by Janet Baker,
English Chamber Orchestra and John Shirley-Quirk |
| 54.
| Owen Wingrave, television opera: Ah, Owen, what shall I do? 7:49
|
| Composed by Benjamin Britten |
| Conducted by Benjamin Britten |
| Performed by Janet Baker,
Nigel Douglas,
English Chamber Orchestra and Benjamin Luxon |
| 55.
| Phaedra, dramatic cantata for mezzo soprano, string orchestra, percussion & harpsichord, Op. 93 15:31
|
| Composed by Benjamin Britten |
| Performed by Janet Baker and English Chamber Orchestra |
| Conducted by Steuart Bedford |
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