Orfeu [17 Tracks] Caetano Veloso

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Editorial Reviews

"Black Orpheus," the 1959 Marcel Camus film, transplanted the Greek tale to the favelas of Rio de Janeiro, and by way of the soundtrack, which included songs by Tom Jobim and Luis Bonfá, introduced the delicate magic of bossa nova to audiences in Europe and the U.S. For his own cinematic adaptation of Vinicius de Moraes's play, acclaimed Brazilian director Carlos Diegues has invited the brilliant singer-songwriter Caetano Veloso to supervise the soundtrack, which includes rerecordings of classics from the Camus film like "A Felicidade" and "Manhã de Carnaval," as well as original Veloso compositions. ORFEU's contemporary setting hits you from the first track, a hard-driving samba with hip-hop interludes tailor-made for the film's star, Toni Garrido (lead singer of the Brazilian rock band Cidade Negra). At the heart of the score is Veloso's gorgeous ballad "Sou Vocé," which Garrido sings with touching simplicity and tenderness. "Sou Vocé" returns throughout the film in various guises, including the finale, where the tune is stripped away and just the harmony remains -- a poignant expression of the tale's tragic ending. Veloso's suave singing can be savored on two tracks, "Os Cinco Bailes da Hist&oactue;ria do Rio" (Five Dances of the History of Rio), a new composition, and his sumptuous new arrangement of Tom Jobim's "Se Todos Fossem Iguais a Vocé" (If Everyone Were Like You). ORFEU's music reflects the lush diversity of Brazilian popular music -- past and present -- as well as the seemingly boundless creativity of one of its greatest artists. --Andrew Farach-Colton Barnes & Noble



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