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Opera New Generation: Greatest Duets | ||
| 1. | La Traviata, opera: Libiamo ne' lieti calici 3:06 | |
| Composed by Giuseppe Verdi | ||
| Performed by Vienna Philharmonic Orchestra, Konzertvereinigung Wiener Staatsopernchor, Anna Netrebko and Rolando Villazón | ||
| Conducted by Carlo Rizzi | ||
| 2. | La Traviata, opera: Un di felice 3:33 | |
| Composed by Giuseppe Verdi | ||
| Performed by Vienna Philharmonic Orchestra, Konzertvereinigung Wiener Staatsopernchor, Anna Netrebko and Rolando Villazón | ||
| Conducted by Carlo Rizzi | ||
| 3. | La Traviata, opera: Parigi, o cara, noi lasceremo 4:23 | |
| Composed by Giuseppe Verdi | ||
| Performed by Vienna Philharmonic Orchestra, Konzertvereinigung Wiener Staatsopernchor, Anna Netrebko and Rolando Villazón | ||
| Conducted by Carlo Rizzi | ||
| 4. | Lucia di Lammermoor, opera: C'est moi Lucie, j'ai voulu... 2:18 | |
| Composed by Gaetano Donizetti | ||
| Performed by Roberto Alagna and Natalie Dessay | ||
| Conducted by Evelino Pidò | ||
| 5. | Lucia di Lammermoor, opera: Sur la tombe de mon père 4:38 | |
| Composed by Gaetano Donizetti | ||
| Performed by Roberto Alagna and Natalie Dessay | ||
| Conducted by Evelino Pidò | ||
| 6. | Lucia di Lammermoor, opera: Qu'une lettre en ma misère 4:54 | |
| Composed by Gaetano Donizetti | ||
| Performed by Roberto Alagna and Natalie Dessay | ||
| Conducted by Evelino Pidò | ||
| 7. | Benvenuto Cellini, opera, H. 76a, Op. 23: Ah! Le ciel, cher époux 6:41 | |
| Composed by Hector Berlioz | ||
| Performed by Gregory Kunde, Orchestre National de France and Patrizia Ciofi | ||
| Conducted by John Nelson | ||
| 8. | Benvenuto Cellini, opera, H. 76a, Op. 23: Quand des sommets 2:35 | |
| Composed by Hector Berlioz | ||
| Performed by Gregory Kunde, Orchestre National de France and Patrizia Ciofi | ||
| Conducted by John Nelson | ||
| 9. | Orphée et Eurydice (French version), opera in 3 acts, Wq. 41: Viens, suis un époux qui t'adore 3:13 | |
| Composed by Christoph Willibald Gluck | ||
| Conducted by John Eliot Gardiner | ||
| Performed by Barbara Hendricks and Anne Sofie von Otter | ||
| 10. | La belle Hélène, operetta in 3 acts: C'est le ciel qui m'envoie 8:27 | |
| Composed by Jacques Offenbach | ||
| Performed by Yann Beuron, Felicity Lott and Les Musiciens du Louvre | ||
| Conducted by Marc Minkowski | ||
| 11. | Lakmé, opera: Duo des fleurs: Viens, Mallika 5:56 | |
| Composed by Léo Delibes | ||
| Performed by Natalie Dessay, Delphine Haidan and Orchestre Capitole Toulouse | ||
| Conducted by Michel Plasson | ||
| 12. | La Grande-Duchesse de Gérolstein, operetta in 3 acts: O grandes leçons du passé 1:44 | |
| Composed by Jacques Offenbach | ||
| Performed by Felicity Lott, Les Musiciens du Louvre and François Le Roux | ||
| Conducted by Marc Minkowski | ||
| 13. | Les Pêcheurs de perles, opera in 3 acts: Aufond du temple saint 5:10 | |
| Composed by Georges Bizet | ||
| Performed by John Aler, Orchestre Capitole Toulouse and Gino Quilico | ||
| Conducted by Michel Plasson | ||
| 14. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Mir is die Ehre widerfahren 7:04 | |
| Composed by Richard Strauss | ||
| Performed by Natalie Dessay, Angelika Kirchschlager and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Antonio Pappano | ||
| 15. | Dixit Dominus, hymn for soloists, chorus & orchestra in G minor, HWV 232: De torrente 3:29 | |
| Composed by George Frideric Handel | ||
| Performed by Natalie Dessay and Véronique Gens | ||
| 16. | Bist du bei mir, for voice & continuo 4:05 | |
| Composed by Gottfried Heinrich Stölzel | ||
| Performed by Natalie Dessay, Rolando Villazón and Quatuor à cordes Bel Arte | ||
| 17. | Don Giovanni, opera, K. 527: La ci darem la mano 2:45 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Lisa Larsson, Peter Mattei and Mahler Chamber Orchestra | ||
| Conducted by Daniel Harding | ||
| 18. | Die Zauberflöte (The Magic Flute), opera, K. 620: Bei Männern, welche Liebe fühlen 2:39 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by London Classical Players, Catherine Pierard, Andreas Schmidt and Dawn Upshaw | ||
| Conducted by Roger Norrington | ||
| 19. | Die Zauberflöte (The Magic Flute), opera, K. 620: Pa-pa-pa-pa-Papagena! 2:23 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by London Classical Players, Catherine Pierard, Andreas Schmidt and Dawn Upshaw | ||
| Conducted by Roger Norrington | ||
| 20. | La Dame Blanche, opera: Eh! Mais quel est ce bruit 3:30 | |
| Composed by François-Adrien Boieldieu | ||
| Performed by Ensemble Orchestral de Paris, Annick Massis and Laurent Naouri | ||
| Conducted by Marc Minkowski | ||
| 21. | Tornate, o cari bac, madrigal for 2 voices (from Book 7), SV 129 2:40 | |
| Composed by Claudio Monteverdi | ||
| Conducted by Emmanuelle Haïm | ||
| Performed by Rolando Villazón, Topi Lehtipuu and Le Concert d'Astrée | ||
| 22. | L'incoronazione di Poppea, opera in 3 acts, SV 308: Pur ti miro 5:43 | |
| Composed by Claudio Monteverdi | ||
| Performed by Arleen Augér, London Baroque Sinfonia and Della Jones | ||
| Conducted by Richard Hickox | ||
| 23. | Your council all is urg'd in vain (from "Dido and Aeneas"), soprano aria, Z. 626/35a 3:33 | |
| Composed by Henry Purcell | ||
| Performed by Ian Bostridge, Susan Graham, Le Concert d'Astrée and Belinda Camilla Tilling | ||
| Conducted by Emmanuelle Haïm | ||
| 24. | Ave Regina coelorum, for 2 voices & continuo (from Sentimenti devoti, libro secondo, Op. 6) 3:26 | |
| Composed by Giovanni Legrenzi | ||
| Performed by Marie-Nicole Lemieux, Philippe Jaroussky and Ensemble Artaserse | ||
| 25. | Stabat mater, for soprano, alto, strings & organ in F major: Stabat Mater 4:45 | |
| Composed by Giovanni Pergolesi | ||
| Performed by Véronique Gens, Il Seminario Musicale and Gerard Lesne | ||
| 26. | Caro autor di mia doglia, duet, HWV 182: Dagli amoti flagellata 3:54 | |
| Composed by George Frideric Handel | ||
| Performed by Paul Agnew, Patricia Petibon and Le Concert d'Astrée | ||
| Conducted by Emmanuelle Haïm | ||
| 27. | Rinaldo, opera, HWV 7: Scherzano sul tuo volto 3:44 | |
| Composed by George Frideric Handel | ||
| Conducted by Alan Curtis | ||
| Performed by Alan Curtis, Patrizia Ciofi, Joyce DiDonato and Il Complesso Barocco | ||
| 28. | Arminio, opera, HWV 36: Ritorna nel core vezzosa, brillante 4:58 | |
| Composed by George Frideric Handel | ||
| Conducted by Alan Curtis | ||
| Performed by Alan Curtis, Vivica Genaux, Geraldine McGreevy and Il Complesso Barocco | ||
| 29. | Giulio Cesare in Egitto, opera, HWV 17: Madre... Son nata e lagrimar 7:48 | |
| Composed by George Frideric Handel | ||
| Performed by David Daniels [countertenor], Ensemble Orchestral de Paris and Stephanie Blythe | ||
| Conducted by John Nelson | ||
| 30. | Aci, Galatea e Polifemo (Sorge il di), dramatic cantata, HWV 72: Sorge il di 3:26 | |
| Composed by George Frideric Handel | ||
| Conducted by Emmanuelle Haïm | ||
| Performed by Sandrine Piau, Sara Mingardo and Le Concert d'Astrée | ||
| 31. | Duetto buffo di due gatti (Cat Duet), for 2 voices & piano (spurious), QR iv/1 2:53 | |
| Composed by Gioachino Rossini | ||
| Performed by Rockwell Blake, Gerard Lesne and Antonio Pappano | ||
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