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The release of Celine Dion's One Heart coincides with the opening night of her exclusive, three-year, 600-show run at Las Vegas's Caesar's Palace. But unlike the show, which features flashy Cirque du Soleilinspired choreography, the disc is not the aural extravaganza fans have come to expect from the diva behind Titanic-sized ballads like "My Heart Will Go On." Instead of filling One Heart with sentimental swooners that showcase her impeccable powerhouse pipes, as she did with 2002's comeback, A New Day Has Come, Dion opts for an understated, youthful-sounding mix of up- and mid-tempo songs. The disc's surprising tone -- think Shania Twainstyled pop-country and modern rock -- is set by the opening track, a pulsating rendition of Roy Orbison's "I Drove All Night," previously covered by Cyndi Lauper. That's also the cut heard in Dion's inescapable Chrysler television ads, for which the singer earned $10 million. So she's got plenty to sing about: The lighthearted sound continues with überpop producer Max Martin's predictably delicious "Love Is All We Need," which could easily fit on any Britney Spears album. That song, however, and Martin's equally infectious "Faith," benefit from Dion's beautifully subtle vocal interpretation, reminding us that for all the gloss, she's a talent to be reckoned with. Still, no Celine Dion album would be complete without a few riveting power ballads, and One Heart doesn't disappoint. Never mind that two of the show-stoppers, the string-laden "Sorry for Love" and the Daryl Hallpenned tear-jerker "Have You Ever Been in Love," originally appeared on A New Day Has Come. While her new direction may baffle her adult-contemporary steadies, the house money says that hipper Celine fans -- and those caught up in her typhoon of cross-promotion -- will definitely fall in love with One Heart. Tracy E. Hopkins, Barnes & Noble