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Naïve has some of the finest performances of Messiaen in its catalog and brings together four previous releases on six discs with this bargain-priced collection. Reinbert de Leeuw, who's featured on three of the releases, on two as conductor and one as pianist, is one of the foremost Messiaen interpreters to emerge in the late twentieth century. He is absolutely in tune with the composer's often cryptic musical logic, which in the hands of less insightful performers is not always apparent. De Leeuw's performances are fresh and spontaneous sounding, which, given Messiaen's carefully calibrated temporal irregularities must be just what the composer intended. Messiaen cultivated a sense of wonder by creating music with both ethereal serenity and startling outbursts, and de Leeuw expresses that wonder beautifully. "La Transfiguration de Notre Seigneur Jésus Christ," the composer's largest choral work, calls for massive choral and instrumental forces and is one of his most austere creations. In this performance, featuring Bruxelles Radio Choir and Hilversum Radio Symphony Orchestra & Chorus, the work's otherworldliness is enveloping and its ecstatic eruptions are gripping. This must be considered a definitive performance of the piece, based on the composer's rhapsodic endorsement, which is full of superlatives and triple exclamation points. De Leeuw brings the same understanding and vision to "Des Canyons aux Etoiles," for piano, horn, xylorimba, glockenspiel, and orchestra, one of Messiaen's most immediately appealing works, played by the superb ASKO Ensemble, Schönberg Ensemble, and Slagwerkgroep den Haag. His performance of "Visions de l'Amen," for two pianos, with Maarten Bon, is luminous and colorful. The disc conducted by Pierre Boulez includes four of Messiaen's works for piano and small orchestra. It was taken from a live 1988 performance in honor of the composer's 80th birthday and features pianist Yvonne Loriod, the composer's wife, and Ensemble InterContemporain. Boulez's interpretations may not have the flexibility of de Leeuw's, but his cool precision works well with this more abstract repertoire. His performance of "Oiseaux Exotiques," another of the composer's most familiar pieces, is especially engaging, lively, and playful. Loriod, who is certainly the premier Messiaen interpreter, plays with authority and poetry. The sound quality is exemplary, but there is some ancillary noise on the Boulez disc. Stephen Eddins, All Music Guide