Oliver Lake Quartet Featuring Mary Redhouse/Santi Debriano/Gene Lake Live Oliver Lake

BUY THIS ITEM

  • $16.99 List price
    $13.49 Online price
    (Save 20%)
    $12.14 Member price
  • skip to cart
  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=687317122122&productCode=MU&maxCount=100&threshold=3

GET FREE SHIPPING ON ORDERS OF $25 OR MORE

DELIVERY & GIFT DETAILS:

Usually ships within 2-3 days

Delivery Time and Shipping Rates

Eligible for gift wrap & gift message.

CD

  • Release Date: 02/14/2006
  • Sales Rank: 166,910
  • Label: PASSIN THRU RECORDS
  • UPC: 687317122122
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
To listen to samples you'll need a Windows Media Player

Oliver Lake Quartet Featuring Mary Redhouse/Santi Debriano/Gene Lake Live

1LISTENBrass & Oak / Oliver Lake Quartet 5:39
2LISTENNaisiai / Oliver Lake Quartet 8:55
3LISTENYo' Dance / Oliver Lake Quartet 15:02
4LISTENNo VT / Oliver Lake Quartet 9:34
5LISTENLevels / Oliver Lake Quartet 3:00
6LISTENMontana Grass Song / Oliver Lake Quartet 7:23
7LISTENCloth / Oliver Lake Quartet 8:30
8LISTENBroken in Paris / Oliver Lake Quartet 4:24
9LISTENPure Improv / Oliver Lake Quartet 4:15

About this Artist

Editorial Reviews

It's been two years since Oliver Lake's last proper studio album, and this live set was recorded before that. This version of Oliver Lake's quartet included Native American flutist, poet, and vocalist Mary Redhouse, bassist Santi Debriano, and drummer Gene Lake. The music ranges from angular post-bop -- "Brass & Oak" -- to haunting Native American chants such as "Naisai," with aboriginal rhythms played by Gene, and spacious yet restrained free playing by the others. There are seriously angular workouts as well, such as "Yo' Dance" where Oliver blows and is responded to by the wood flute and Redhouse's gone vocalizing. "Montana Grass Song" is an authentic powwow song, completely reinvented by the band while respecting its traditional framework before making it a scattish/improv swing tune. The title track, from 2003's Cloth, is given a tough quartet reading as well. And it sizzles. Oliver's soloing here is particularly wonderful, but it's the rhythm section that keeps it all popping. Ultimately, this is a good date, but it's outside much of the jazz frame a lot of the time. It will appeal to Oliver Lake's hardcore fan base but it's the wrong recording to introduce to a novice. Thom Jurek, All Music Guide

Customer Reviews

  • Listener Rating:
Be the first to write a review!