Enter a zip code
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| 11 | |
| 12 | |
| 13 | |
| 14 | |
| 15 | |
| 16 | |
| 17 | |
| 18 | |
More so than any of his other records, it's hard to define what makes Dan Zanes' ¡Nueva York! a "kids" record. A carnival of Latin rhythms and standards, the songs are uniformly in Spanish and don't endeavor to teach the language at all ("Pollito Chicken" has some English words). Instead, what Zanes is teaching is compassion, as he and his multicultural band represent all the stripes of Latin identity among his New York neighbors, each telling their stories in melody and rhythm. One track that all children will understand, for example, is Sonia De Los Santos' "Phone Call Home" to her mother in Mexico, infused with all the longing of a child far away in a strange place. Perhaps it's best to use Zanes' terminology here -- ¡Nueva York! is family music, with appeal to parents as well as their kids, created for listening and dancing together. (In fact, the language barrier is a great equalizer between big and little listeners.) And it triumphs, from Zanes' fluent, if accented, Spanish to the exuberance of his band -- probably the tightest outfit working the kids circuit today. Driving his message home are Zanes' guests, who represent some of the lights of New York's Latin music community, from the Colombian folkloric group La Cumbiamba eNeYé to the Puerto Rican-Jewish star of Rent, Daphne Rubin-Vega. While their language and music may be different, they are all part of the same community in Nueva York, sharing together the joy and spirit of their cultures. Zanes has also referred to the collection as his "pro-immigration album," a stance that's second nature in a polyglot city like his own, but which makes a timely lesson for kids and parents across America. Mark Schwartz, Barnes & Noble