Enter a zip code
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| 11 | |
| 12 | |
| 13 | |
| 14 | |
| 15 | |
| 16 | |
| 17 | |
In the late '80s and early '90s, artists like Tone Loc, Young MC, Hammer, and Vanilla Ice set the standard for rap's pop appeal. But when it crossed over on its own terms, poppy hip-hop all but vanished. That is, until the arrival of Puff Daddy (a.k.a. Sean "Puffy" Combs), the ace producer who brought back the novelty of good times when no one was expecting it. Following the drive-by killings of Tupac Shakur and Puffy's pal Biggie Smalls (a.k.a. the Notorious B.I.G.), many observers were ready to sound hip-hop's death knoll, underestimating the power of the music in general and Puff in particular. NO WAY OUT was more than half finished when Biggie was killed, so Puff turned the album's unfinished tracks into a tribute to his slain colleague. His "I'll Be Missing You" rewrote the Police's "Every Breath You Take" as a eulogy to Biggie, while other tracks gave new life to old hits. Puffy's genius for appropriation extended to picking vocal colleagues to offset his self-consciously nonchalant flow, and NO WAY OUT sets aside quality time for Biggie and Lil' Kim, while inviting Busta Rhymes, Jay-Z, Foxy Brown, Ginuwine, and Faith Evans along for vital cameos. NO WAY OUT was a groundbreaking record, proving that hip-hop innovators come in as many different guises as the rock stars they continue to knock off the top of the charts. Martin Johnson, Barnes & Noble