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Editorial Reviews

Listeners of Mary J. Blige's seasoned and confident fifth studio release will have zero problems remembering the album's title, No More Drama. An urban-sounding vocal sample that sings, "Mary J. Blige, no more drama," plays throughout the length of the 17-track disc. This very well may be the first time such a tactic has been used in contemporary music; generally a vocal sample repeats throughout the course of only one song, but because the fare on No More Drama is so good, this recurring vocal sample is as subtle and congruent as a consistent drum hit. Blige has come a long way since 1992's breakthrough, What's the 411?, and that's made very clear on this solid disc. The singer/songwriter has blossomed into an all-out R&B diva -- with a hip-hop edge -- full of soul and command. Her songs on this recording exude the wisdom of a woman who's seen it all and has found her center. And she will no longer tolerate drama, pettiness, and overall crap. In 2001's crop of R&B singers, Blige's voice was truly inimitable. It's husky, strong, soulful, and full of maturity. Make no mistake, though, this lady can still flow like no one's business; just check out the bouncy album-opener "Love." In fact, many of the record's cuts are standout moments. For instance, only Blige has the balls to write and pull off a song called "PMS," a soulful and bluesy number that describes, in detail, this condition inherent to the female experience. And while she also explores themes of love, Blige's disc is essentially a journey through her personal evolution and spirituality. The final cut, "Testimony," best summarizes the album's theme: finding what's real in life. And for Blige, that's self-love and God. To her credit, Blige has a killer instinct for penning lyrics that people can relate to and creating gritty, thick, and soul-infused R&B fare. (She does get some help on this disc from such R&B and hip-hop heavyweights as Missy Elliot, Jimmy Jam, and Terry Lewis, among others.) Her music is more than heard, it is felt, and audiences would be hard-pressed to not surrender to her groove. Interestingly, many of Blige's peers sing about drama, but not this artist -- not anymore. [The Japanese release adds one more track: "Girl from Yesterday"] Liana Jonas, All Music Guide

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