New Orleans Street Singer [Bonus Tracks] Snooks Eaglin

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CD - Bonus Tracks

  • Release Date: 08/30/2005
  • Original Release: 1959
  • Sales Rank: 51,187
  • Label: SMITHSONIAN FOLKWAYS
  • UPC: 093074016527

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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New Orleans Street Singer [Bonus Tracks]

1LISTENLooking for a Woman 2:29
2LISTENWalking Blues previously unreleased 3:01
3LISTENCareless Love 2:36
4LISTENSaint James Infirmary 2:23
5LISTENHigh Society 1:37
6LISTENI Got My Questionnaire 3:24
7LISTENLet Me Go Home, Whiskey 2:55
8LISTENMama, Don't Tear My Clothes previously unreleased 2:11
9LISTENTrouble in Mind 2:50
10LISTENThe Lonesome Road 1:50
11LISTENHelping Hand (A Thousand Miles Away from Home) 2:15
12LISTENOne Room Country Shack previously unreleased 3:05
13LISTENWho's Been Foolin' You previously unreleased 2:26
14LISTENDrifting Blues previously unreleased 3:40
15LISTENSophisticated Blues 2:09
16LISTENCome Back, Baby previously unreleased 2:09
17LISTENRock Island Line 2:08
18LISTENSee See Rider 3:11
19LISTENOne Scotch, One Bourbon, One Beer 2:46
20LISTENMean Old World 3:50
View all tracks on this disc

About this Artist

Editorial Reviews

Ford "Snooks" Eaglin's first released recordings, the ones collected here, suggested to the world that Eaglin was a great lost country-blues player when he was, in fact, an excellent electric guitar player and a gospel-influenced singer who much preferred playing R&B with a band. When folklorist Harry Oster heard Eaglin busking with his guitar on a street in the French Quarter in 1958, he whisked him over to Louisiana State University and recorded the tracks collected here, either assuming that Eaglin was a folk artist, or possibly even asking him to portray one for the sake of the recording. Either way, New Orleans Street Singer was a revelation when it was released by Folkways Records a year later in 1959, presenting to the world a gifted guitar player and a naturally soulful singer who brought a kind of jazzy New Orleans feel and groove to the folk-blues standards he was covering. The album is no less a revelation in the 21st century in this expanded edition from Smithsonian Folkways, although hindsight allows us to realize that the folk stance was probably more Oster's preference than Eaglin's. The guitar work is quick and fluid, with lead bursts that surprise and delight, continually settling on unexpected but highly effective chordal resolves (the original instrumental "Sophisticated Blues" is a case in point), and the singing throughout is steady and informed, sounding a bit like Ray Charles, with tinges of both gospel and jazz phrasing. In Eaglin's hands traditional fare like "Saint James Infirmary," the near-ragtime "High Society," and the familiar "Mama, Don't You Tear My Clothes" (a variant of "Baby, Let Me Follow You Down") all become reborn and re-formed into definitive versions. The seven additional tracks expand the original album to around 70 minutes in length, and the alternate takes included of "Careless Love," "Driftin' Blues," and "The Lonesome Road" show that Eaglin didn't necessarily approach a song the same way twice in a row. Steve Leggett, All Music Guide

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