DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
Reader Rating:
See Detailed Ratings
October 01, 2004: Called by the most (including the White Duke himself)as the "worst Bowie album", NLMD shows Bowie at his 80's maisntream-pop weakest point. The album is simply overproduced and it's a lackluster performance "done to make money" between 80's pop fanatics. However NLMD offers some gems and interesting tracks (the Palmer's esque Day-In Day-Out, the underrated Time Will Crawl, the title track, Zeroes or the infectious Glass Spider). But sadly the album is mixed with awful filler (Shining Star, NY's in love, Beat of your drum, or a horrible and overproduced version of Iggy Pop's Bang-Bang). In conclusion, NLMD isn't an easy listening for everyone who isn't a Bowie's hardcore fanatic, but it's enough accesible and has enough hooks to make it worthwhile to the freaky lovers of the 80's arena synth-pop/rock albums. As NLMD displays, the failure of its "Glass Spider Tour" was dire.
This review was written about the CD edition.
Reader Rating:
See Detailed Ratings
June 20, 2003: In every Bowie's precious album there are at least three songs which are enormous for every listener worldwide.In this 80's album David Bowie created a different kind of music with dynamic guitars and unusual vocals for Bowie's stands.This album looks like a Michael Jackson's part of music.But the album contains some magnificent in musical quality songs like "glass spider"(with bowie's great vocals) and "time will crawl".Maybe the whole album doesn't look like equal to the other legendary albums but it's worth of listening.
This review was written about the CD edition.
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
Album Credits | ||
| Performance Credits | ||
| David Bowie | Primary Artist, Synthesizer, Guitar, Harmonica, Keyboards, Tambourine, Background Vocals, Moog Synthesizer, Rap, Mellotron | |
| Peter Frampton | Guitar | |
| Robin Clark | Background Vocals | |
| Gordon Grody | Background Vocals | |
| Carlos Alomar | Synthesizer, Guitar, Tambourine, Background Vocals, Synthesizer Guitar | |
| Crusher Bennett | Percussion | |
| Errol Bennett | Percussion | |
| The Coquettes | Background Vocals, Group | |
| Steve Elson | Baritone Saxophone | |
| Laurie Frink | Trumpet | |
| Earl Gardner | Trumpet, Flugelhorn | |
| Diva Gray | Background Vocals | |
| Lani Groves | Background Vocals | |
| Stan Harrison | Alto Saxophone | |
| Erdal Kizilgay | Bass, Guitar, Trumpet, Violin, Drums, Keyboards, Background Vocals | |
| Sid McGinnis | Guitar | |
| Lenny Pickett | Tenor Saxophone | |
| Carmine Rojas | Bass | |
| Mickey Rourke | Vocals, Background Vocals, Rap | |
| Philippe Saisse | Piano, Keyboards | |
| Loni Groves | Background Vocals | |
| Erdal Kizilcay | Bass, Guitar, Trumpet, Violin, Drums, Keyboards, Background Vocals | |
| Coco | Background Vocals | |
| John ? | Background Vocals | |
| Borneo Horns | Flugelhorn | |
| Charuvan | Background Vocals | |
| Gordon Grodie | Background Vocals | |
| Sandro | Background Vocals | |
| Technical Credits | ||
| David Bowie | Producer | |
| Bob Clearmountain | Engineer | |
| Bob Ludwig | Mastering | |
| Peter Mew | Remastering | |
| Ron Oates | Set Construction | |
| Malcolm Pollack | Engineer | |
| David Richards | Producer | |
| Mick Haggerty | Artwork, Art Direction | |
| Nigel Reeve | Remastering | |
loading...
loading...
loading...
Terms of Use, Copyright, and Privacy Policy
© 1997-2009 Barnesandnoble.com llc



