Music of the Gothic Era |
| 1.
| Magnus Liber Organi: Viderunt omnes (Organa 2 vocum) 9:14
|
| Composed by Léonin |
| Performed by James Bowman and Early Music Consort of London |
| 2.
| Magnus Liber Organi: Alleluya Pascha nostrum (Organa 2 vocum) 5:59
|
| Composed by Léonin |
| Performed by Early Music Consort of London and Martyn Hill |
| 3.
| Magnus Liber Organi: Gaude Maria Virgo (Organa 2 vocum) 7:00
|
| Composed by Léonin |
| Performed by Early Music Consort of London and Paul Elliott |
| 4.
| Magnus Liber Organi: Locus iste (Organa 2 vocum) 6:11
|
| Composed by Léonin |
| Performed by Charles Brett and Early Music Consort of London |
| 5.
| Viderunt omnes, organum for 4 voices 11:55
|
| Composed by Pérotin |
| Performed by Rogers Covey-Crump,
Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 6.
| Sederunt principes, organum for 4 voices 11:33
|
| Composed by Pérotin |
| Performed by Early Music Consort of London |
| 7.
| Alle, psallite cum luya 1:09
|
| Composed by Anonymous, German |
| Performed by Early Music Consort of London,
Martyn Hill,
John Potter and Geoffrey Shaw |
| 8.
| Amor Potest, motet 1:00
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 9.
| S'On Me Regarde, motet 2:23
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 10.
| In Mari Miserie, motet 1:52
|
| Composed by Anonymous, French |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill and Geoffrey Shaw |
| 11.
| On parole (Some talk) 1:51
|
| Composed by Anonymous |
| Performed by James Bowman,
Charles Brett,
Early Music Consort of London and Geoffrey Shaw |
| 12.
| En mai, quant rosier sont flouri, motet for 3 voices (doubtful) 2:09
|
| Composed by Adam de la Halle |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill and Geoffrey Shaw |
| 13.
| Dominator Domine, motet for 3 voices (13th cent.) 1:50
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill and Geoffrey Shaw |
| 14.
| El Mois de mai 1:38
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 15.
| O Mitissima 1:29
|
| Composed by Anonymous |
| Performed by James Bowman,
Charles Brett,
Early Music Consort of London and Geoffrey Shaw |
| 16.
| Hoquetus: 1-7, for 3 voices 7:50
|
| Composed by Anonymous |
| Performed by Early Music Consort of London |
| 17.
| Aucun Ont Trouve 3:16
|
| Composed by Petrus de Cruce |
| Performed by Charles Brett,
Early Music Consort of London and Martyn Hill |
| 18.
| De ma dame vient, motet for 3 voices 2:26
|
| Composed by Adam de la Halle |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 19.
| J'os bien a m'amie parler, motet for 3 voices 1:52
|
| Composed by Adam de la Halle |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |
| 20.
| La Mesnie fauveline, motet 1:26
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill and Geoffrey Shaw |
| 21.
| Quant je le voi 1:02
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill,
John Potter and John Nixon |
| 22.
| Zelus familie, motet for 3 voices 2:52
|
| Composed by Anonymous, 14th Century Polyphony |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill and Geoffrey Shaw |
| 23.
| Quasi non ministerium, motet for 4 voices 2:46
|
| Composed by Anonymous, 14th Century Polyphony |
| Performed by James Bowman,
Charles Brett,
Early Music Consort of London and David James |
| 24.
| Imprudentor circumivi/Virtutibus/Contratenor/Tenor, motet 3:09
|
| Composed by Philippe de Vitry |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |
| 25.
| Cum statua/Hugo/Magister invidie, motet 2:30
|
| Composed by Philippe de Vitry |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |
| 26.
| Pantheon abluitur 2:44
|
| Composed by Bernard de Cluny |
| Performed by James Bowman,
Charles Brett,
Early Music Consort of London and Geoffrey Shaw |
| 27.
| Clap, Par un Matin, motet 1:31
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 28.
| Ida capillorum, motet for 4 voices 4:05
|
| Composed by Henri Gilles de Pusieux |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |
| 29.
| Rachel plorat filios 1:54
|
| Composed by Henri Gilles de Pusieux |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 30.
| Lés l'ormel a la truelle, motet for 3 voices 1:51
|
| Composed by Anonymous |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill and Geoffrey Shaw |
| 31.
| O Philippe, Franci qui generis, motet for 3 voices 3:38
|
| Composed by Anonymous, 14th Century Polyphony |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |
| 32.
| Febus mundo oriens, motet 3:35
|
| Composed by Anonymous |
| Performed by James Bowman,
Charles Brett,
Early Music Consort of London and Martyn Hill |
| 33.
| Lasse! comment oublieray/Se j'aim mon loyal/Pour quoy me bat mes maris?, motet for 3 voices 4:06
|
| Composed by Guillaume de Machaut |
| Performed by Early Music Consort of London,
Paul Elliott,
Martyn Hill and Geoffrey Shaw |
| 34.
| Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet, motet for 3 voices 1:56
|
| Composed by Guillaume de Machaut |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |
| 35.
| Hoquetus David, double hocket for 3 voices 3:18
|
| Composed by Guillaume de Machaut |
| Performed by Early Music Consort of London |
| 36.
| Christe que lux es/Veni Creator Spiritus/Tribulatio proxima est, motet for 4 voices 4:15
|
| Composed by Guillaume de Machaut |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |
| 37.
| Degentis Vita/Cum vix artidici/Vera pucidita, motet 2:15
|
| Composed by Anonymous, Codex Chantilly |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 38.
| Inter densas deserti meditans/Imbribus irriguis/Admirabilem est, motet 3:20
|
| Composed by Anonymous, Codex Chantilly |
| Performed by Early Music Consort of London,
Paul Elliott and Martyn Hill |
| 39.
| Rex Karole, Johannis Genite 4:21
|
| Composed by Philippe Royllart |
| Performed by James Bowman,
Charles Brett and Early Music Consort of London |