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Music In The Time Of The Crusades: 1096-1270 | ||
| 1. | Danse Royale I (13th cent.) 2:36 | |
| Composed by Anonymous, French | ||
| Conducted by Thomas Binkley | ||
| Performed by Studio der frühen Musik | ||
| 2. | O quanta qualia, hymn 7:50 | |
| Composed by Peter Abelard | ||
| Conducted by Thomas Binkley | ||
| Performed by Studio der frühen Musik and Andrea von Ramm | ||
| 3. | Ab joi moi lo vers e. l comens (Ab joi et ab joven m'apais Condesa de Dia) 5:29 | |
| Composed by Bernart de Ventadorn | ||
| Performed by Montserrat Figueras and Hesperion XX | ||
| Conducted by Jordi Savall | ||
| 4. | Razos es qu'ieu m'esbaudei, song 12:48 | |
| Composed by Peire Cardenal | ||
| Performed by Benjamin Bagby, Richard Levitt, Studio der frühen Musik, Andrea von Ramm, Harian Hockin and Claude Marti | ||
| Conducted by Thomas Binkley | ||
| 5. | La Spagna 3:34 | |
| Composed by Anonymous, Spanish | ||
| Performed by Early Music Consort of London | ||
| Conducted by David Munrow | ||
| 6. | Puer natus est nobis (with trope Gaudeamus hodie), introit (Messe de la Nativité) 6:40 | |
| Composed by Anonymous, 11th century French Polyphony | ||
| Performed by Ensemble Gilles Binchois | ||
| Conducted by Dominique Vellard | ||
| 7. | Viderunt omnes, gradual organum (Messe de la Nativité) 3:45 | |
| Composed by Anonymous, 11th century French Polyphony | ||
| Performed by Ensemble Gilles Binchois | ||
| Conducted by Dominique Vellard | ||
| 8. | Ecce Annuntio vobis, antiphon (Messe de la Nativité) 1:16 | |
| Composed by Anonymous, 11th century French Polyphony | ||
| Performed by Ensemble Gilles Binchois | ||
| Conducted by Dominique Vellard | ||
| 9. | Tui Sunt celi (with trope Qui es sine principio), offertoire (Messe de la Nativité) 2:21 | |
| Composed by Anonymous, 11th century French Polyphony | ||
| Performed by Ensemble Gilles Binchois | ||
| Conducted by Dominique Vellard | ||
| 10. | Viderunt omnes (with trope Radix lesse virga), communion (Messe de la Nativité) 1:52 | |
| Composed by Anonymous, 11th century French Polyphony | ||
| Performed by Ensemble Gilles Binchois | ||
| Conducted by Dominique Vellard | ||
| 11. | Istanpitta Gaetta 6:17 | |
| Composed by Anonymous | ||
| Conducted by Thomas Binkley | ||
| Performed by Studio der frühen Musik and Members of the Schola Cantorum Basiliensis | ||
| 12. | Ai Deus, se sab' ora meu amigo, cantiga for voice and accompaniment 5:26 | |
| Composed by Martin Codax | ||
| Conducted by Thomas Binkley | ||
| Performed by Richard Levitt and Studio der frühen Musik | ||
| 13. | Rorate caeli desuper 5:09 | |
| Composed by Gregorian Chant | ||
| Conducted by David Lawson and Dom Dunstan O'Keeffe | ||
| Performed by Monks of Downside Abbey | ||
| 14. | Trotto (14th century) 1:27 | |
| Composed by Anonymous, Italian | ||
| Conducted by Michel Piguet | ||
| Performed by Zürich Ricercare-Ensemblefür Alte Musik | ||
| 15. | Saltarellos 1-4 (GB-LBl Add.29987) 2:13 | |
| Composed by Anonymous, Italian | ||
| Conducted by Lorenzo Masini | ||
| 16. | Non perch'i' speri, donna 4:05 | |
| Composed by Anonymous, Italian | ||
| Performed by Fritz Naf and Zürich Ricercare-Ensemblefür Alte Musik | ||
| Conducted by Michel Piguet | ||
| 17. | Nesciens Mater, antiphon in 4 parts 0:40 | |
| Composed by Gregorian Chant | ||
| Conducted by Paul Hillier | ||
| Performed by The Hilliard Ensemble | ||
| 18. | Nesciens Mater 2:30 | |
| Composed by Byttering | ||
| Conducted by Paul Hillier | ||
| Performed by The Hilliard Ensemble | ||
| 19. | Indescort (Diminution issue du Codex Faenza sur la ballade anonyme "A discort sont Desir et Esperance") 2:59 | |
| Composed by Anonymous | ||
| Performed by Emmanuel Bonnardot, Emmanuel Bonnardot, Emmanuel Bonnardot, Emmanuel Bonnardot, Pierre Hamon, Pierre Hamon, Pierre Hamon, Brigitte Lesne, Brigitte Lesne, Brigitte Lesne and Gerard Lesne | ||
| 20. | L'amoureuse flour d'esté/En l'estat d'amere tristour/(Sicut fenum arui), motet for 3 voices 3:06 | |
| Composed by Anonymous, French | ||
| Performed by Emmanuel Bonnardot, Emmanuel Bonnardot, Emmanuel Bonnardot, Emmanuel Bonnardot, Pierre Hamon, Pierre Hamon, Pierre Hamon, Brigitte Lesne, Brigitte Lesne, Brigitte Lesne and Gerard Lesne | ||
| 21. | Se vrai secours briefvement ne m'eslye 8:50 | |
| Composed by Anonymous | ||
| Performed by Emmanuel Bonnardot, Emmanuel Bonnardot, Emmanuel Bonnardot, Emmanuel Bonnardot, Pierre Hamon, Pierre Hamon, Pierre Hamon, Brigitte Lesne, Brigitte Lesne, Brigitte Lesne and Gerard Lesne | ||
| 22. | A vous, douce debonaire, rondeau (polyphonic & monophonic versions) 2:22 | |
| Composed by Jehannot de l'Escurel | ||
| Performed by James Bowman, Charles Brett, Early Music Consort of London and Geoffrey Shaw | ||
| Conducted by David Munrow | ||
| 23. | Hareu, hareu, le feu/Helas, ou sera/Obediens usque ad mortem, motet for 3 voice parts 2:01 | |
| Composed by Guillaume de Machaut | ||
| Performed by James Bowman, Charles Brett, Early Music Consort of London and Geoffrey Shaw | ||
| Conducted by David Munrow | ||
| 24. | Amours me fait desirer, ballade for 3 voices 2:37 | |
| Composed by Guillaume de Machaut | ||
| Performed by James Bowman, Charles Brett, Early Music Consort of London and Geoffrey Shaw | ||
| Conducted by David Munrow | ||
| 25. | Trop plus est bele/Biaute paree/Je ne sui mie, motet for 3 voices 2:27 | |
| Composed by Guillaume de Machaut | ||
| Performed by James Bowman, Charles Brett, Early Music Consort of London and Geoffrey Shaw | ||
| Conducted by David Munrow | ||
| 26. | La Quarte Estampie Royal 3:07 | |
| Composed by Anonymous, Manuscrit du Roi | ||
| Conducted by Martin Best | ||
| Performed by Martin Best, Martin Best, Martin Best and Medieval Group | ||
| 27. | Lanquan (Lancan) li jorn son lonc en may 4:15 | |
| Composed by Jaufre Rudel de Blaye | ||
| Conducted by Martin Best | ||
| Performed by Martin Best, Martin Best, Martin Best and Medieval Group | ||
| 28. | Quan lo rossinhols (Can Io rossinhols e. l folhos) 3:34 | |
| Composed by Jaufre Rudel de Blaye | ||
| Conducted by Martin Best | ||
| Performed by Martin Best, Martin Best, Martin Best and Medieval Group | ||
| 29. | Lou Roussignou Cantou 0:51 | |
| Composed by Anonymous | ||
| Conducted by Martin Best | ||
| Performed by Martin Best, Martin Best, Martin Best and Medieval Group | ||
| 30. | L' Autrier jost' una sebissa 3:47 | |
| Composed by Marcabru | ||
| Conducted by Martin Best | ||
| Performed by Martin Best, Martin Best, Martin Best and Medieval Group | ||
| 31. | Le roi a fait battre tambour 3:01 | |
| Composed by Anonymous, French | ||
| Conducted by Martin Best | ||
| Performed by Martin Best, Martin Best, Martin Best and Medieval Group | ||
| 32. | Veris ad imperia, conductus 1:48 | |
| Composed by Anonymous, Notre Dame School | ||
| Conducted by Martin Best | ||
| Performed by Martin Best, Martin Best, Martin Best and Medieval Group | ||
| 33. | Gracïeusette, virelai 2:39 | |
| Composed by Jehannot de l'Escurel | ||
| Performed by Ensemble Gilles Binchois | ||
| Conducted by Dominique Vellard | ||
| 34. | Douce Amour, confortez moi, virelai 6:24 | |
| Composed by Jehannot de l'Escurel | ||
| Performed by Ensemble Gilles Binchois | ||
| Conducted by Dominique Vellard | ||
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