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Much More than Much Love shows that someone is looking out for Finley Quaye. After a more than promising debut, Maverick a Strike -- a huge British hit -- which introduced his remarkable, Al Green-by-way-of-Kingston voice atop inventive, addictive rock 'n' reggae grooves, Quaye went into a tailspin. Somewhere along the downward spiral was Vanguard, an addled, lazy affair that would get most artists banished from the industry for life (one song was literally a recipe for bean soup). At some point, Quaye hit bottom, cut his hair, got a stylist, and is now reintroduced to a public that, his label seems to wish, has completely forgotten that he existed. That's the kind of fresh start Much Love is. The reggae underpinnings of Maverick are largely stripped away, leaving a mix of jangling guitars and light dance tracks such as "Dice," cowritten by William Orbit and featuring Beth Orton. It's more than a little new-agey. One of Quaye's best qualities was the offhand rhymes he worked into his songs, sounding like DJ patter from the dancehall days. While his lyrics feel more forced this time out, Quaye still manages to bring a smile with anachronisms such as "sock it to me," in the chorus of the rootsy "Pearls of Wisdom." Much Love ultimately smacks of a repackaging by forces beyond the artist's control, and given Quaye's apparent lack of discipline, that's not necessarily a bad thing. Someone up there likes Finley Quaye, and they're really, really hoping that you will, too. Mark Schwartz, Barnes & Noble