About this Artist

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Editorial Reviews

Legendarily named after DJ John Peel's nickname for his nanny, the duo Trader Horne were one of those wonderful, short-lived footnotes of musical history with which the late-'60s British scene so abounds. In the name game, singer Judy Dyble edged out singer/multi-instrumentalist Jackie McAuley -- he found fame with Them, she flitted through Fairport Convention, Giles, Giles & Fripp, and King Crimson, and guested on an Incredible String Band album. In 1969, the two paired up, signed to the Pye label's newly launched prog imprint Dawn, and released their first and last album Morning Way. Reissuers Esoteric are touting the set as acid-jazz, presumably because the marketing department never played it. Themed around the transformation from childhood to adulthood, Morning is awash in whimsy, and gentle folk that puddles around pop and occasionally melts into blues or R&B. The entire album has a lovely, lilting quality, a child-like sweetness, innocence, and wonder, even though many of the lyrics explore teen-age angst. It's far removed from anything else on the scene, then or now, and reminds us how cruelly Dyble's vocals were overshadowed in Fairport history by Sandy Denny. Denny, of course, overshadows everyone, but Dyble is delightful regardless. [The reissue appends two equally engaging bonus tracks, presumably all that remained in the vaults, for Dyble walked out on Trader just as Dawn readied the duo's launch. A far from fairytale ending for a sublime pair of folkies.] Dave Thompson, All Music Guide

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