Miles Ahead Miles Davis

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CD - Remastered / Bonus Tracks

  • Release Date: 09/23/1997
  • Original Release: 1957
  • Sales Rank: 22,307
  • Label: SONY
  • UPC: 074646512128
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Vinyl LP - Special Edition$21.99

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  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
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Miles Ahead

1LISTENSpringsville 3:27
2LISTENThe Maids of Cadiz 3:53
3LISTENThe Duke 3:35
4LISTENMy Ship 4:28
5LISTENMiles Ahead 3:29
6LISTENBlues for Pablo 5:18
7LISTENNew Rhumba 4:37
8LISTENThe Meaning of the Blues 2:48
9LISTENLament 2:14
10LISTENI Don't Wanna Be Kissed (By Anyone But You) 3:05
11LISTENSpringsville Bonus Track / Remake Take 7 3:14
12LISTENBlues for Pablo Bonus Track / Take 1 3:28
13LISTENMeaning of the Blues/Lament Bonus Track / Rehearsal 5:08
14LISTENI Don't Wanna Be Kissed (By Anyone But You) Bonus Track 3:12

About this Artist

Editorial Reviews

This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige). Davis was also expected to carry the album as its only soloist, and manage not to get lost among a cast of supporting musicians that included a huge horn section. To a large extent, he succeeds. Evans' arrangements in particular are well-suited to the format, and he and Davis formed a deep and close partnership where ideas were swapped back and forth, nurtured, and developed long before they were expressed in the studio. Davis gets off to a great start, with the hyper-kinetic "Springsville," which seems to almost perfectly embody Evans' and Davis' partnership with its light, flexible exchanges between soloist and orchestra. He is strongest on the ballads, though, where his subdued and wistful tone rises high above the hushed accompaniment, especially on "Miles Ahead" and "Blues for Pablo" (which foreshadows the bluesy, Latin-tinged sound of Sketches of Spain). The upbeat "I Don't Want to Be Kissed (By Anyone but You)" is another strong song, but shows the weakness of the format as Davis intersperses a charming, bright, technically challenging solo with a blasting horn section that occasionally buries him. It is a fine end, however, to an album that gave a hint of the greatness that would come as Evans and Davis fine-tuned their partnership over the course of the next several years. ~ Stacia Proefrock, All Music Guide All Music Guide

Customer Reviews

Miles Aheadby Anonymous

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September 14, 2006: this is miles with brass at his best,he just makes music you have to listen enjoy at its utmost..

Miles Aheadby Anonymous

Reader Rating:
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July 16, 2003: Two words for this album...SIMPLY BEAUTIFUL. This album is truly a masterpiece. The orchestra paints the soultry, very emotional, and smooth type of volume that breathes! Each tune breathes as much as the music takes form as the human being that plays it! Miles Davis is a sculptor...his music comes to life by him! An incredible work of art for the definitive jazz album.


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