Mi Reflejo

1	Genio Atrapado 3:37
2	Falsas Esperanzas 2:57
3	El Beso del Final 4:41
4	Pero Me Acuerdo de Ti 4:26
5	Ven Conmigo (Solamente Tú) 3:11
6	Si No Te Hubiera Conocido / Luis Fonsi 4:50
7	Contigo en la Distancia 3:44
8	Cuando No Es Contigo 4:10
9	Por Siempre Tú 4:05
10	Una Mujer 3:14
11	Mi Reflejo 3:37

Barnes & Noble

Teen pop genie Christina Aguilera proves there's no limit to her magic on Mi Reflejo, acknowledging her Latin roots with her first album sung entirely in Spanish. All of her biggest English-language hits are here, plus several new tunes, rendered in a flawless castellano that would surely do her grandmother proud - especially since, by her own admission, Aguilera doesn't speak Spanish fluently. But whether she's jumping on the bandwagon or just trying to make her abuelos happy, there's no denying her vocal talent, which lends each cut a substance lacking in most of her fellow teen queens' productions. By the same token, her influences are readily apparent, from the ardent crooning of Boyz II Men and Mariah Carey to La India's feisty salsa-soul growl. Producer Rudy Pérez, known for his first-rate work with Latina lovelies Jaci Velásquez and Millie, adds his Midas touch throughout. Highlights include the merry romp of "Ven Conmigo," ("Come On Over") the funky grind-and-burn of "Una Mujer" ("What a Girl Wants"), and the salsafied flutter of the freshly-baked "Cuando No Es Contigo." Christina's got a sweet way with slower fare too, from the tender balladry of "Pero Me Acuerdo de Tí" to her soaring new duet with Puerto Rican heartthrob Luis Fonsi on "Si No Te Hubiera Conocido" ("If We Had Never Met"). In short, this is irresistible pop that transcends all language barriers. Abraham Velez

All Music Guide

When Christina Aguilera's eponymous debut reached multi-platinum status in the summer of 1999, the charts were also ruled by the Latin pop explosion, headed by Ricky Martin. Since Aguilera had Ecuadoran heritage, recording a Latin pop album was appropriate, even if she didn't know how to speak the language. Besides, a Latin album was an easy way to buy time for an artist waiting to produce an eagerly awaited sequel to a blockbuster album. So, she knocked out the record that became Mi Reflejo in 1999 and 2000, between tours and video shoots. She learned the words phonetically, but she already knew most of the melodies, since the bulk of the album was Spanish-language versions of songs on the debut album. In other words, it was a mirror image of the debut -- her Spanish reflection, as it were. This results in an album that is just a little too familiar, even if it's classy and well-produced and spiked with a couple of new tunes that hold their own with the holdovers. Even so, it's hard to view Mi Reflejo as anything other than a bit of a pleasant holding pattern; it's enjoyable as it spins, but it doesn't add anything new to her music, since it's just the old music in new clothing. Stephen Thomas Erlewine