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The key to pianist Hilton Ruiz can be found in this album's two non-originals: Perez Prado's "Mambo Numero Cinco" and John Coltrane's "Impressions." An incredible pianist who cut his teeth during a four-year stand with that great jazz eccentric, Rahsaan Roland Kirk, Ruiz has quietly been recording a series of exceptionally well-focused Latin-jazz albums. A stellar two trumpet and saxophone front line -- Charlie Sepulveda, Papo Vazquez, and David Sanchez -- and five of New York's finest rhythm players, including bassist Andy Gonzalez, drummer Ignacio Berroa, and the stupendous conguero Giovanni Hidalgo, make up one of the most exceptional Latin-jazz ensembles heard in years. Ruiz handily controls things with a piano approach secure in its virtuosity -- there's none of the gratuitous showboating that often mars Latin-jazz piano dates. MANHATTAN MAMBO follows three exceptional, but unfortunately deleted, late-'80s Novus albums that featured a similar format but benefited from the novelty of the saxophone chair being held by the avant-garde grandmaster Sam Rivers. Lee Jeske, Barnes & Noble