Barnes & Noble
Mamma Mia! charms more than ever in this limited-edition CD/DVD package, issued to celebrate the show's first five years on Broadway. A smash hit in London before arriving on the Great White Way, the popular musical uses the songs of ABBA to float an enchanting fairy-tale about a young bride-to-be's efforts to find her long-lost father, and the whispy, sweet story is put over with punch and pizzazz on this rapturous original cast album. Benny Andersson and Bjorn Ulvaeus, the creative team behind the superstar Swedish quartet, dressed up their show with nearly two-dozen 1970s classics, all engagingly performed and arranged to highlight the youthful and talented cast. Fiesty Siobhan McCarthy belts out the highlights "The Winner Takes It All," "S.O.S." and "Super Trouper," while "Dancing Queen," "Voulez-Vous," and "Gimme Gimme Gimme" turn the spotlight on the energetic ensemble. Mamma Mia!'s score of familiar ear-candy will be a delightful greatest-hits collection for some and a bunch of terrific contemporary show tunes to others. Either way you'll say "I Do I Do I Do" to this delicious confection -- now enhanced with three live-performance bonus tracks and a feature-filled DVD. David Cohen
All Music Guide
ABBA principals Benny Andersson and Björn Ulvaeus turned to stage musicals after their band's demise and composed two, one of which, Chess, ran in the West End and on Broadway. For their third stage effort, they returned to their ABBA catalog and put together Mamma Mia!, a show that employs their old songs (with occasional lyric revisions) in the service of a libretto by Catherine Johnson about a girl who tries to discover her father's identity in time to have him give her away at her wedding. It's a hackneyed plot worthy of a second-rate Hollywood comedy film, of course, but the score is guaranteed to resonate with audiences, which may explain why the show was a success upon its London opening on April 6, 1999. With a pre-Broadway American tour starting in San Francisco in November 2000, Decca Records released the original London cast album (without identifying it as such on the cover) in the U.S. in October 2000. On-stage, of course, there is the production, complete with sets, actors, and scenes, to contend with, but a show built on familiar musical material runs into an unusual problem on record -- namely, that it is forced to compete with the original recordings. So, how does Mamma Mia! compare to an ABBA greatest-hits album? Well, the recordings are less fully produced than the originals, and in that sense less impressive. But the originals were sung by Scandinavians who sometimes sounded like they had learned the lyrics phonetically, the vocals often featuring odd phrasing and word emphasis. Here, the songs are being sung by native English speakers, and that is a distinct improvement. The recording features snippets of dialogue here and there, though the plot line is not clearly delineated, which will frustrate those who haven't seen the show. And anyone planning to sing along had better consult the lyric sheet beforehand, because there are minor differences here and there. (Though, thankfully, the creative team couldn't find a way to work "Waterloo" or "Fernando" into the story!) You are probably still better off with an ABBA hits CD, but at least Mamma Mia! is better than the A*Teens. [A "special edition" of the album released in 2004 featured a slightly altered track listing and three live bonus tracks, "Mamma Mia," "Dancing Queen," and..."Waterloo." The show had opened on Broadway on October 5, 2001. It was still running five years later. No Original Broadway Cast album was deemed necessary, but to mark the five-year anniversary of the Broadway production, a "collector's edition" of the Original London Cast album was released in 2006, featuring the 2004 "bonus tracks" version of the recording, plus a DVD that contained what was essentially promotional material. "5th Anniversary Featurette" was a 15-minute documentary hosted by Tina Maddigan and Joe Machota of the original Broadway cast that showed interviews with the creative team and footage of various international productions of the show. There were also a couple of unidentified numbers from a production giving a sense of what the show was like on-stage.] William Ruhlmann