false
Lucia Popp: Queen of Night, Maiden of Light Lucia Popp
BUY THIS ITEM
- Add To List uiAction=GetAllLists&page=List&pageType=list&ean=5099969851520&productCode=MU&maxCount=100&threshold=3
DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.
CD
- Release Date: 10/20/2009
- 7 Disc Set
- Sales Rank: 11,331
- Label: EMI CLASSICS
- UPC: 5099969851520
Customers who bought this also bought
Lucia Popp: Queen of Night, Maiden of Light | ||
| 1. | Rodelinda, regina de' Langobardi, opera, HWV 19: Act 1. Ombre, piante, urne funeste! 4:44 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 2. | Serse (Xerxes), opera, HWV 40: Act 1. Un cenno leggiadretto 3:47 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 3. | Rodelinda, regina de' Langobardi, opera, HWV 19: Act 1. Hò perduto il caro sposo 4:56 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 4. | Ottone, re di Germania, opera, HWV 15: Act 1. Vinto è l'amor 3:59 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 5. | Giulio Cesare in Egitto, opera, HWV 17: Act 3. E pur così in un giorno... Piangerò la mia 6:40 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 6. | Joshua, oratorio, HWV 64: Part 3. O! had I Jubal's Lyre 2:55 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
View all tracks on this disc | ||
About this Artist
Lucia Popp: Queen of Night, Maiden of Light | ||
| 1. | Rodelinda, regina de' Langobardi, opera, HWV 19: Act 1. Ombre, piante, urne funeste! 4:44 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 2. | Serse (Xerxes), opera, HWV 40: Act 1. Un cenno leggiadretto 3:47 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 3. | Rodelinda, regina de' Langobardi, opera, HWV 19: Act 1. Hò perduto il caro sposo 4:56 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 4. | Ottone, re di Germania, opera, HWV 15: Act 1. Vinto è l'amor 3:59 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 5. | Giulio Cesare in Egitto, opera, HWV 17: Act 3. E pur così in un giorno... Piangerò la mia 6:40 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 6. | Joshua, oratorio, HWV 64: Part 3. O! had I Jubal's Lyre 2:55 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 7. | Messiah, oratorio, HWV 56: Part 1. Wohlan, frohlocke, du Tochter Zion! 4:38 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner and Christfried Bickenbach | ||
| Performed by Lucia Popp and SWR Stuttgart Radio Symphony Orchestra | ||
| 8. | Messiah, oratorio, HWV 56: Part 2. Wie lieblich ist der Boten Schritt 2:25 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner and Christfried Bickenbach | ||
| Performed by Lucia Popp and SWR Stuttgart Radio Symphony Orchestra | ||
| 9. | Messiah, oratorio, HWV 56: Part 3. Ich weiß, daß mein Erlöser lebet 5:24 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner and Christfried Bickenbach | ||
| Performed by Lucia Popp and SWR Stuttgart Radio Symphony Orchestra | ||
| 10. | Messiah, oratorio, HWV 56: Part 3. Ist Gott mit uns, wer sollte uns schaden? 4:46 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner and Christfried Bickenbach | ||
| Performed by Lucia Popp and SWR Stuttgart Radio Symphony Orchestra | ||
| 11. | Exsultate, jubilate, motet for soprano & orchestra, K. 165 (K. 158a) 15:42 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by English Chamber Orchestra, Leslie Pearson and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 12. | Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum 5:17 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Ambrosian Singers, English Chamber Orchestra, John McCarthy, Leslie Pearson and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 13. | Vesperae de Dominica, for soloists, chorus & orchestra, K. 321: Laudate Dominum 5:36 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Ambrosian Singers, English Chamber Orchestra, John McCarthy, Leslie Pearson and Lucia Popp | ||
| Conducted by Georg Fischer | ||
| 14. | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: 9. Crucifixus 3:04 | |
| Composed by Gioachino Rossini | ||
| Performed by David Briggs, Katia Labèque and Lucia Popp | ||
| Conducted by Stephen Cleobury | ||
| 15. | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: 13. O Salutaris hostia 5:56 | |
| Composed by Gioachino Rossini | ||
| Conducted by Stephen Cleobury | ||
| Performed by Katia Labèque and Lucia Popp | ||
| 16. | Il rè pastore, opera, K. 208: Act 2. L'amerò, sarò costante 6:23 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 17. | Idomeneo, rè di Creta, opera, K. 366: Act 3. Solitudini amiche... Zeffiretti lusinghieri 6:26 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 18. | Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 2. Durch Zärtlichkeit und Schmeicheln 3:20 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Josef Krips | ||
| Performed by Vienna Philharmonic Orchestra and Lucia Popp | ||
| 19. | Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 2. Welche Wonne, welche Lust 2:32 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Josef Krips | ||
| Performed by Vienna Philharmonic Orchestra and Lucia Popp | ||
| 20. | Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 2. Welcher Kummer... Traurigkeit ward mir sum 8:54 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 21. | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act 2. Porgi, amor 3:47 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 22. | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act 2. Voi, che sapete che cosa è amor 2:50 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 23. | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act 4. Giunse alfin il momento... Deh, vieni, non 4:55 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 24. | Don Giovanni, opera, K. 527: Act 2. In quali eccessi... Mi tradì quell'alma ing 6:04 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 25. | Don Giovanni, opera, K. 527: Act 2. Crudele?... Non mi dir 6:38 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 26. | Così fan tutte, opera, K. 588: Act 1. Come scoglio 4:35 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Leonard Slatkin | ||
| 27. | Così fan tutte, opera, K. 588: Act 2. Una donna a quindici anni 4:09 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Otto Klemperer | ||
| Performed by New Philharmonia Orchestra of London and Lucia Popp | ||
| 28. | Die Zauberflöte (The Magic Flute), opera, K. 620: Act 1. O zittre nicht, mein lieber Sohn... Zum Lei 5:10 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Otto Klemperer | ||
| Performed by Philharmonia Chamber Orchestra and Lucia Popp | ||
| 29. | Die Zauberflöte (The Magic Flute), opera, K. 620: Act 2. Der Hölle Rache kocht in meinem Herzen 3:12 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Otto Klemperer | ||
| Performed by Philharmonia Chamber Orchestra and Lucia Popp | ||
| 30. | Die Zauberflöte (The Magic Flute), opera, K. 620: Act 2. Ach, ich fühl's, es ist entschwunden 4:14 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Bavarian Radio Symphony Orchestra and Lucia Popp | ||
| Conducted by Bernard Haitink | ||
| 31. | La Clemenza di Tito, opera, K. 621: Act 2. Non più di firoi vaghe catene 6:40 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Lucia Popp | ||
| 32. | Tannhäuser, opera, WWV 70: Act 2. Dich, teure Halle, grüß' ich wieder 4:55 | |
| Composed by Richard Wagner | ||
| Performed by Bavarian Radio Symphony Orchestra and Lucia Popp | ||
| Conducted by Bernard Haitink | ||
| 33. | Tannhäuser, opera, WWV 70: Act 3. Allmächt'ge Jungfrau 5:33 | |
| Composed by Richard Wagner | ||
| Performed by Bavarian Radio Symphony Orchestra and Lucia Popp | ||
| Conducted by Bernard Haitink | ||
| 34. | Daphne, opera, Op. 82 (TrV 272): O blieb, geliebter Tag! 8:38 | |
| Composed by Richard Strauss | ||
| Performed by Bavarian Radio Symphony Orchestra and Lucia Popp | ||
| Conducted by Bernard Haitink | ||
| 35. | Daphne, opera, Op. 82 (TrV 272): Unheilvolle Daphne 10:03 | |
| Composed by Richard Strauss | ||
| Performed by Bavarian Radio Symphony Orchestra and Lucia Popp | ||
| Conducted by Bernard Haitink | ||
| 36. | Daphne, opera, Op. 82 (TrV 272): Ich komme... Ich komme, grünende Brüder 11:05 | |
| Composed by Richard Strauss | ||
| Performed by Bavarian Radio Symphony Orchestra and Lucia Popp | ||
| Conducted by Bernard Haitink | ||
| 37. | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) 23:51 | |
| Composed by Richard Strauss | ||
| Performed by London Philharmonic Orchestra and Lucia Popp | ||
| Conducted by Klaus Tennstedt | ||
| 38. | Songs (8) from "Letzte Blätter" for voice & piano, Op. 10 (TrV 141) 21:05 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 39. | Rote Rosen ("Weisst Du die Rose, die Du mir gegeben?"), song for voice & piano, o.Op. 76 (TrV 119, AV 76) 2:20 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 40. | Die erwachte Rose ("Die Knospe träumte von Sonnenschein"), song for voice & piano, o.Op. 66 (TrV 90, AV 66) 3:15 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 41. | Begegnung ("Die Treppe hinunter gesprungen"), song for voice & piano, o.Op. 72 (TrV 98, AV 72) 1:52 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 42. | Schlagende Herzen ("Über Wiesen und Felder ein Knabe ging"), song for voice & piano, Op. 29/2 (TrV 172/2) 2:44 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 43. | Heimkehr ("Leiser schwanken die Äste"), song for voice & piano, Op. 15/5 (TrV 148/5) 2:22 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 44. | Weisser Jasmin ("Bleiche Blüte, Blüte der Liebe"), song for voice & piano, Op. 31/3 (TrV 173/3) 2:26 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 45. | Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1 (TrV 195/1) 4:25 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 46. | Meinem Kinde ("Du schläfst und sachte neig' ich mich"), song for voice & piano (or orchestra), Op. 37/3 (TrV 187/3) 2:47 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 47. | Leise Lieder ("Leise Lieder sing ich dir bei Nacht"), song for voice & piano, Op. 41/5 (TrV 195/5) 2:38 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 48. | Leises Lied ("In einem stillen Garten"), song for voice & piano, Op. 39/1 (TrV 189/1) 2:33 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 49. | Schlechtes Wetter ("Das ist ein schlechtes Wetter"), song for voice & piano, Op. 69/5 (TrV 237/5) 2:30 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 50. | Für fünfzehn Pfennige ("Das Mägdlein will ein' Freier hab'n"), song for voice & piano, Op. 36/2 (TrV 186/2) 2:20 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 51. | Hat gesagt--bleibt' nicht dabei ("Mein Vater hat gesagt"), song for voice & piano, Op. 36/3 (TrV 186/3) 2:12 | |
| Composed by Richard Strauss | ||
| Performed by Lucia Popp and Wolfgang Sawallisch | ||
| 52. | Peer Gynt, incidental music, Op. 23: Arabian Dance 4:52 | |
| Composed by Edvard Grieg | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields, Ambrosian Singers, John McCarthy and Lucia Popp | ||
| 53. | Peer Gynt, incidental music, Op. 23: Solveig's Song 5:49 | |
| Composed by Edvard Grieg | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 54. | Peer Gynt, incidental music, Op. 23: Solveig's Cradle Song 4:57 | |
| Composed by Edvard Grieg | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 55. | Carmina Burana, scenic cantata for soloists, choruses & orchestra: 17. Stetit puella 2:05 | |
| Composed by Carl Orff | ||
| Conducted by Rafael Frühbeck de Burgos | ||
| Performed by New Philharmonia Orchestra of London and Lucia Popp | ||
| 56. | Carmina Burana, scenic cantata for soloists, choruses & orchestra: 21. In trutina 2:11 | |
| Composed by Carl Orff | ||
| Conducted by Rafael Frühbeck de Burgos | ||
| Performed by New Philharmonia Orchestra of London and Lucia Popp | ||
| 57. | Carmina Burana, scenic cantata for soloists, choruses & orchestra: 23. Dulcissime 0:35 | |
| Composed by Carl Orff | ||
| Conducted by Rafael Frühbeck de Burgos | ||
| Performed by New Philharmonia Orchestra of London and Lucia Popp | ||
| 58. | Eugene Onegin, opera, Op. 24: Act 1. Tatiana's letter scene. Pooskai pogibnoo ya 12:11 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 59. | Pique Dame (The Queen of Spades), opera, Op. 68: Act 3. Uzh polnoch blizitsya 5:19 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 60. | War and Peace, opera, Op. 91: Scene 3. Kakoye pravo oni imyeyut 3:18 | |
| Composed by Sergey Prokofiev | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 61. | Prodaná nevesta (The Bartered Bride), opera, JB 1:100: Act 1. Kdybych se co takového 3:52 | |
| Composed by Bedrich Smetana | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 62. | Prodaná nevesta (The Bartered Bride), opera, JB 1:100: Act 3. Ó, jaký zal! Jaký to zal 6:04 | |
| Composed by Bedrich Smetana | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 63. | Dalibor, opera, JB 1:101: Act 2. Jak je mi? 2:31 | |
| Composed by Bedrich Smetana | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 64. | Rusalka, opera, B. 203 (Op. 114): Act 1. Song to the Moon. Mesîcku na nebi hlubokém 5:57 | |
| Composed by Antonin Dvorák | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 65. | Rusalka, opera, B. 203 (Op. 114): Act 3. Mladosti své pozbavena 4:56 | |
| Composed by Antonin Dvorák | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 66. | Armida, opera, B. 206 (Op.115): Act 1. Za stíhlou gazelou 3:46 | |
| Composed by Antonin Dvorák | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 67. | Jenufa, opera, JW 1/4: Act 2. To je mamincina jizba 3:31 | |
| Composed by Leos Janácek | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 68. | Des Knaben Wunderhorn, song cycle (12) for voice & piano (or orchestra): 2. Das irdische Leben 2:39 | |
| Composed by Gustav Mahler | ||
| Performed by London Philharmonic Orchestra and Lucia Popp | ||
| Conducted by Klaus Tennstedt | ||
| 69. | Des Knaben Wunderhorn, song cycle (12) for voice & piano (or orchestra): 4. Rheinlegendchen 3:25 | |
| Composed by Gustav Mahler | ||
| Performed by London Philharmonic Orchestra and Lucia Popp | ||
| Conducted by Klaus Tennstedt | ||
| 70. | Des Knaben Wunderhorn, song cycle (12) for voice & piano (or orchestra): 7. Wer hat dies Liedlein erdacht? 2:03 | |
| Composed by Gustav Mahler | ||
| Performed by London Philharmonic Orchestra and Lucia Popp | ||
| Conducted by Klaus Tennstedt | ||
| 71. | Des Knaben Wunderhorn, song cycle (12) for voice & piano (or orchestra): 12. Wo die schönen Trompeten blasen 8:49 | |
| Composed by Gustav Mahler | ||
| Performed by London Philharmonic Orchestra and Lucia Popp | ||
| Conducted by Klaus Tennstedt | ||
| 72. | Symphony No. 4 in G major: 4. Sehr behaglich 9:10 | |
| Composed by Gustav Mahler | ||
| Performed by London Philharmonic Orchestra and Lucia Popp | ||
| Conducted by Klaus Tennstedt | ||
| 73. | Boccaccio, operetta: Act 1. Hab' ich nur deine Liebe 3:39 | |
| Composed by Franz von Suppe | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 74. | Die Fledermaus (The Bat), operetta (RV 503): Act 2. Klänge der Heimat 4:21 | |
| Composed by Johann Strauss II | ||
| Conducted by Plácido Domingo | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| 75. | Casanova, musical comedy (Strauss works arr. by Benatzky): Act 1. O Madonna, auf uns sieh... O Marie, wie ent 4:25 | |
| Composed by Johann Strauss II | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields, Ambrosian Singers and Lucia Popp | ||
| 76. | Die Tänzerin Fanny Elssler, operetta (Strauss works arr. by Stalle): Act 2. Draußen in Sievering 4:22 | |
| Composed by Johann Strauss II | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 77. | Der Obersteiger, operetta: Act 2. Sei nicht bös 4:38 | |
| Composed by Carl Zeller | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 78. | Gräfin Dubarry, operetta: Scene 5. Ich schenk' mein Herz 3:50 | |
| Composed by Carl Millöcker | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 79. | Die lustige Witwe (The Merry Widow), operetta: Act 2. Es lebt' eine Vilja 5:47 | |
| Composed by Franz Lehár | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields, Ambrosian Singers and Lucia Popp | ||
| 80. | Der Graf von Luxemburg, operetta in 3 acts: Act 1. Heut' noch werd' ich Ehefrau... Unbekannt, 3:43 | |
| Composed by Franz Lehár | ||
| Performed by Graunke Symphony Orchestra and Lucia Popp | ||
| Conducted by Willy Mattes | ||
| 81. | Der Graf von Luxemburg, operetta in 3 acts: Act 2. Ich danke, meine Herrn und meine Damen 3:30 | |
| Composed by Franz Lehár | ||
| Performed by Wolfgang Baumgart, Graunke Symphony Orchestra, Lucia Popp and Chor der Bayerischen Staatsoper | ||
| Conducted by Willy Mattes | ||
| 82. | Giuditta, opera in 5 acts: Scene 4. Meine Lippen, sie küssen so heiß 5:28 | |
| Composed by Franz Lehár | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields, Ambrosian Singers and Lucia Popp | ||
| 83. | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke"): Act 2. Ich möcht' wieder einmal die Heimat seh'n 1:51 | |
| Composed by Franz Lehár | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 84. | Friederike, operetta in 3 acts: Act 2. Warum hast du mich wachgeküßt? 3:03 | |
| Composed by Franz Lehár | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 85. | Frau Luna, operetta: Act 1. Schlösser, die im Monde liegen 5:05 | |
| Composed by Paul Lincke | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 86. | Der Favorit, operetta: Act 1. Du sollst der Kaiswer meiner Seele sein 4:47 | |
| Composed by Robert Stolz | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 87. | Frühjahrsparade, operetta: Act 1. Wien wird bei Nacht erst schön 5:10 | |
| Composed by Robert Stolz | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 88. | Die Ungarische Hochzeit, operetta: Act 2. Spiel mir das Lied von Glück und Treu' 6:29 | |
| Composed by Nico Dostal | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Lucia Popp | ||
| 89. | Die Kaiserin, operetta: Act 2. Du mein Schönbrunn 3:18 | |
| Composed by Leo Fall | ||
| Performed by Graunke Symphony Orchestra and Lucia Popp | ||
| Conducted by Charles Wildmann | ||
| 90. | Liselott, opera: Scene 1. Glücklich am Morgen 2:59 | |
| Composed by Eduard Künneke | ||
| Performed by Graunke Symphony Orchestra and Lucia Popp | ||
| Conducted by Charles Wildmann | ||
| 91. | An Mein Herz ("O Herz, sei endlich stille"), song for voice & piano, D. 860 3:20 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 92. | Der Fluss ("Wie rein Gesang sich winder"), song for voice & piano, D. 693 5:06 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 93. | Der Knabe ("Wenn ich nur ein Vöglein wäre"), song for voice & piano, D. 692 2:29 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 94. | Die Rose ("Es lockte schöne Wärme"), song for voice & piano (two versions), D. 745 (Op. 73) 3:12 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 95. | Der Schmetterling ("Wie soll ich nicht tanzen"), song for voice & piano, D. 633 (Op. 57/1) 1:27 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 96. | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) 2:14 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 97. | Der Wanderer an den Mond ("Ich auf der Erd'"), song for voice & piano, D. 870 (Op. 80/1) 2:30 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 98. | Der Einsame ("Wenn meine Grillen schwirren"), song for voice & piano, D. 800 (Op. 41) 4:12 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 99. | Fülle der Liebe ("Ein sehnend Streben teilt mir"), song for voice & piano, D. 854 6:10 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 100. | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) 4:30 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 101. | Auf dem Wasser zu singen ("Mitten im Schimmer der spiegelnden Wellen"), song for voice & piano, D. 774 (Op. 72) 3:46 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 102. | Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2) 3:43 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 103. | Fischerweise ("Den Fischer fechten Sorgen"), song for voice & piano, D. 881 (Op. 96/4) 3:22 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 104. | Der Jüngling an der Quelle ("Leise, rieseln der Quell"), song for voice & piano, D. 300 1:54 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 105. | Gesang ("Was ist Sylvia,..."), song for voice & piano, ("An Sylvia"), D. 891 (Op. 106/4) 2:52 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
| 106. | Seligkeit ("Freuden sonder Zahl"), song for voice & piano ("Minnelied"), D. 433 2:06 | |
| Composed by Franz Schubert | ||
| Performed by Irwin Gage and Lucia Popp | ||
Product Details
- Format: CD
- Release Date: 10/20/2009
- Label: EMI CLASSICS
- Catalog No.: 98515
- UPC: 5099969851520
- Sales Rank: 11,331
Related EssentiaListsuiAction=GetRelatedListsByEanFromProductPage&page=List&pageType=list&ean=5099969851520&productCode=MU&maxCount=5&threshold=10
loading...
Fans of this CDuiAction=GetProfileBlurbsWithEANinFavorites&page=UserProfile&pageType=profile&eanInput=5099969851520
loading...
loading...
© 2009 All Media Guide, LLC