CD
| More Formats | |
|---|---|
| CD | $12.79 |
Disc
1 | |
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| View all tracks on this disc | |
Disc
2 | |
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| See all tracks | |
Much jazz-rock fusion failed in the '70s because it was made by jazz musicians attempting to find the key to rock 'and' roll's vast popularity. Carlos Santana, however, was a rock musician with the soul of a jazzman. By the time this double CD was recorded live in Japan in 1973, he had created a true jazz-rock fusion -- with an effervescent Latin groove that updated {|Willie Bobo|} and a virtuosic style of improvising on guitar that often achieved a John Coltrane level of intensity. This great lost fusion album took more than 15 years to be released in America, but with vocal help from Leon Thomas, an arrangement by Alice Coltrane, a smashing set of tunes (including Chick Corea's "Castillos de Arena" and a roof-raising jam that includes renditions of Santana signatures "Black Magic Woman" and "Oye Como Va"), and a skin tight rhythm section at its peak, LOTUS gives jazz-rock, or rock-jazz, a good name. Lee Jeske, Barnes & Noble