Barnes & Noble
Just as alternative music burst out in the '90s, guitarist-singer-songwriter Chris Whitley came along and reclaimed the blues roots of rock with his debut CD of original material, Living With The Law. A Houston native who spent much of his youth traveling, Whitley celebrates his wanderlust on "Big Sky Country." With his voice moving from low growls to falsetto notes, Whitley brings the dark side of relationships alive on "Kick the Stones," "I Forget You Every Day," and "Poison Girl." The guitar work on these pain-filled portrayals of love is laced with both passion and fear, one minute reaching into the folk realm and the next bleeding with feedback. Living With The Law was an auspicious beginning for Whitley, and nearly a decade after it's release the set remains the most interesting of his CDs. Roberta Penn
All Music Guide
Chris Whitley's 1991 debut, Living with the Law, was recorded in Daniel Lanois' New Orleans mansion and was produced by Malcolm Burn. The sublimely dark, creepy, and possessed collection sounds completely out of place for the era of slick pop/rock like Milli Vanilli. The tortured album is rich with old-style sounds, from slide guitars to pedal steel. (Lanois contributes some on the album.) Living with the Law has a full, ambient feel that transports the listener into the recording. Whitley humbly (and falsely) claims, at the beginning of the record, that "God knows it's all been done." But these 12 songs attempt an original look at an honest style and passionate mood that is lacking in much of rock music. Whitley sings of drug abuse, alienation, failure, and loneliness with a Delta blues flavor. Standout tracks include "Phone Call from Leavenworth," "Big Sky Country," and "Dirt Radio." Those who liked Whitley's Dirt Floor must own Living with the Law if they don't already. It is more of a full-band sound, but similar in tone and feel. An exceptional and mesmerizing debut, one with the potential to inspire all who hear it. (This release is also fascinating for those who enjoy Rocket House. Influences on the 2001 album can be heard throughout Living with the Law, released a decade earlier.) An album Robert Johnson may have recorded, were he still alive. [Sbme Special Mkts' 2008 edition included one bonus track.] ~ JT Griffith, All Music Guide