Barnes & Noble
People go to Ben Harper shows for a variety of reasons. Some want to work up a sweat dancing to extended funk jams; some look to be transported by the intricate instrumental interplay of his band, the Innocent Criminals; and some need a dip into the refreshingly bucolic folk-soul he can wring from an acoustic guitar. Live from Mars, culled from more than 20 separate concerts, offers a little something for each of portion of Harper's constituency -- one disc of power-packed electric performances and a second disc of burnished acoustic work. On the former, Harper shows off his moves as an erotic shaman -- beckoning and purring through a funked-up version of the Marvin Gaye classic "Sexual Healing" -- as well as his flair for the harder stuff, captured in a raucous ten-minute medley of "Faded" and Led Zeppelin's "Whole Lotta Love." The Innocent Criminals also acquit themselves mighty well here, nestling into a deep groove on the sultry "The Woman in You" and flashing switchblade-sharp riffs on the raging "Burn One Down." The mood couldn't be more different on the set's second disc, which showcases the quiet power Harper and company are capable of generating without amps turned to 11. Unlike a lot of his contemporaries, Harper doesn't turn down the intensity when he turns down the volume, a point driven home by a rending version of "Please Bleed" and a thoroughly uplifting take on "The Power of the Gospel." As so often happens during his live performances, Harper takes the listener on some unexpected side trips -- such as an appropriately trippy version of the Verve's "The Drugs Don't Work" -- but he can always be counted on to keep the scenery interesting. David Sprague
All Music Guide
Ben Harper is a road dog. He and his band, the Innocent Criminals, travel around the world playing nearly 200 shows a year; therefore, it was only a matter of time before this guitar virtuoso made a live album. Live From Mars, an enigmatic two-disc set of 25 songs, celebrates the rise of Harper, his incredible live presence between 1998 and 2000, and the appreciation between him and his audience. His fragile acoustics have been thrown into a massive guitar storm on disc one, a thunderous combination of his signature folky blues-funk rock & roll. He's soulful and approachable on "Excuse Me Mr." and "Burn One Down," but he reaches for something tangible on Marvin Gaye's "Sexual Healing." The vibe is calm and cool while Harper's vocals scale between a sweet falsetto and a rugged twang. "Faded" exudes Harper's electric twitching, and its perfection swaggers into a riveting cover of Led Zeppelin's "Whole Lotta Love" for a near ten-minute car crash of pure rollicking. He switches from his electric to an acoustic for disc two, making his informality even more enticing. "Waiting on an Angel" is delicate, similar to the likes of Jeff Buckley, but it's the beauty of the Verve's "The Drugs Don't Work" that truly captures the standard of excellence that Harper depicts as a performer. Acoustically, he's honored and such praise is deserved. He's practically flawless. He's a modest artist, and such humility is found among his songs. He's achieved respectability with his fans that only so many artists are able to attain. Live From Mars is a proper release and certainly an inviting look into Harper and the showmanship he projects while spending time on the road. MacKenzie Wilson
Entertainment Weekly
"B+"...Live from Mars is ideal for the hardcore fans as well as the uninitiated who may want to investigate what all the fuss is about....Harper is the retro-rocker Lenny Kravitz has always tried, but failed, to be. David Browne