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Angela Gheorghiu made her name at Covent Garden in 1994, winning rave reviews for her portrayal of Violetta in a production of La Traviata led by the late Sir Georg Solti. Of course, the Romanian-born soprano has been no stranger to the stage of the great London opera house in the intervening years, but this live concert from June 2001 was a special event. Surprisingly, perhaps, there is not a single flashy showpiece -- no "Sempre libera" or "Je veux vivre" -- only a string of delicate, lyrical pearls. One has only to hear "Lascia ch'io pianga" from Handel's Rinaldo, for example, to appreciate Gheorghiu's star power. The tone is glorious: rich, firm, and smoky, with a generous dollop of old-fashioned feminine vulnerability. Her legato is as smooth as silk, yet she never merely skates over the surface of the music. Like Callas, the singer she is being compared with more and more often these days, it is the intensity of Gheorghiu's tone that burns itself into one's memory. Gheorghiu does not breathe fire as Callas did -- that is not her style -- but she finds depth even in a seemingly simple aria like "Adieu, notre petite table" from Massenet's Manon. And how many singers today can sing both the French and Italian repertoire with fluency? Her Louise ("Depuis le jour" from Charpentier's underrated opera) is just as ravishing as her Adriana Lecouvreur ("Io son l'umile ancella" from Cilea's equally underrated work). The audience is audibly mesmerized by her, and the feeling of electricity seems to emanate from one's speakers. Purists might want to skip the third and final encore, "I Could Have Danced All Night" from My Fair Lady, where the singer's rather thick accent is distracting -- a small blemish in an otherwise glorious outpouring of song. Andrew Farach-Colton, Barnes & Noble